Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530

Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530

Author: Alison Luchs

Publisher: Cambridge University Press

Published: 1995-09-29

Total Pages: 320

ISBN-13: 9780521470759

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This book focuses on Tullio Lombardo's 'double-portrait', those mysterious noble reliefs containing busts of young couples whose meaning has long eluded scholars. Positing their significance as a new genre for private delectation created by a sculptor best known for public, and primarily funerary, monuments, Alison Luchs sets these and related works against the striking rarity of independent portrait sculpture in Venice before the mid-sixteenth century. Among other issues that Luchs considers are Venetian receptivity to the particularly expressive quality of this genre and the style as it develops in relation to contemporary Venetian painting, especially that of Giorgione and his followers. She concludes this richly illustrated study by suggesting that Tullio's extraordinary double-portrait sculpture played a critical role in preparing a Venetian audience for the acceptance of the individualised portrait bust.


Book Synopsis Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530 by : Alison Luchs

Download or read book Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530 written by Alison Luchs and published by Cambridge University Press. This book was released on 1995-09-29 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on Tullio Lombardo's 'double-portrait', those mysterious noble reliefs containing busts of young couples whose meaning has long eluded scholars. Positing their significance as a new genre for private delectation created by a sculptor best known for public, and primarily funerary, monuments, Alison Luchs sets these and related works against the striking rarity of independent portrait sculpture in Venice before the mid-sixteenth century. Among other issues that Luchs considers are Venetian receptivity to the particularly expressive quality of this genre and the style as it develops in relation to contemporary Venetian painting, especially that of Giorgione and his followers. She concludes this richly illustrated study by suggesting that Tullio's extraordinary double-portrait sculpture played a critical role in preparing a Venetian audience for the acceptance of the individualised portrait bust.


Patronage and Italian Renaissance Sculpture

Patronage and Italian Renaissance Sculpture

Author: DavidJ. Drogin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 333

ISBN-13: 1351554883

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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.


Book Synopsis Patronage and Italian Renaissance Sculpture by : DavidJ. Drogin

Download or read book Patronage and Italian Renaissance Sculpture written by DavidJ. Drogin and published by Routledge. This book was released on 2017-07-05 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.


The Performance of Sculpture in Renaissance Venice

The Performance of Sculpture in Renaissance Venice

Author: Lorenzo G. Buonanno

Publisher: Routledge

Published: 2022-03-02

Total Pages: 368

ISBN-13: 1000540499

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This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources—the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media—Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning. It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies.


Book Synopsis The Performance of Sculpture in Renaissance Venice by : Lorenzo G. Buonanno

Download or read book The Performance of Sculpture in Renaissance Venice written by Lorenzo G. Buonanno and published by Routledge. This book was released on 2022-03-02 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources—the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media—Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning. It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies.


Renaissance Self-portraiture

Renaissance Self-portraiture

Author: Joanna Woods-Marsden

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 310

ISBN-13: 0300075960

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An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.


Book Synopsis Renaissance Self-portraiture by : Joanna Woods-Marsden

Download or read book Renaissance Self-portraiture written by Joanna Woods-Marsden and published by Yale University Press. This book was released on 1998-01-01 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.


Art and Love in Renaissance Italy

Art and Love in Renaissance Italy

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2008

Total Pages: 394

ISBN-13: 1588393003

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"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.


Book Synopsis Art and Love in Renaissance Italy by : Metropolitan Museum of Art (New York, N.Y.)

Download or read book Art and Love in Renaissance Italy written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2008 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.


Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art

Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art

Author: Denise Allen

Publisher: Metropolitan Museum of Art

Published: 2022-06-15

Total Pages: 571

ISBN-13: 1588397106

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he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.


Book Synopsis Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art by : Denise Allen

Download or read book Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art written by Denise Allen and published by Metropolitan Museum of Art. This book was released on 2022-06-15 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.


The Cambridge Companion to the Italian Renaissance

The Cambridge Companion to the Italian Renaissance

Author: Michael Wyatt

Publisher: Cambridge University Press

Published: 2014-06-26

Total Pages: 471

ISBN-13: 0521876060

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Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.


Book Synopsis The Cambridge Companion to the Italian Renaissance by : Michael Wyatt

Download or read book The Cambridge Companion to the Italian Renaissance written by Michael Wyatt and published by Cambridge University Press. This book was released on 2014-06-26 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.


Making and Moving Sculpture in Early Modern Italy

Making and Moving Sculpture in Early Modern Italy

Author: KelleyHelmstutler DiDio

Publisher: Routledge

Published: 2017-07-05

Total Pages: 275

ISBN-13: 1351559516

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In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.


Book Synopsis Making and Moving Sculpture in Early Modern Italy by : KelleyHelmstutler DiDio

Download or read book Making and Moving Sculpture in Early Modern Italy written by KelleyHelmstutler DiDio and published by Routledge. This book was released on 2017-07-05 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.


The Intellectual Life of the Early Renaissance Artist

The Intellectual Life of the Early Renaissance Artist

Author: Francis Ames-Lewis

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 340

ISBN-13: 9780300092950

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At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.


Book Synopsis The Intellectual Life of the Early Renaissance Artist by : Francis Ames-Lewis

Download or read book The Intellectual Life of the Early Renaissance Artist written by Francis Ames-Lewis and published by Yale University Press. This book was released on 2002-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.


The Art Collector in Early Modern Italy

The Art Collector in Early Modern Italy

Author: Monika Schmitter

Publisher: Cambridge University Press

Published: 2021-09-23

Total Pages: 943

ISBN-13: 1108934439

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Lorenzo Lotto's Portrait of Andrea Odoni is one of the most famous paintings of the Italian Renaissance. Son of an immigrant and a member of the non-noble citizen class, Odoni understood how the power of art could make a name for himself and his family in his adopted homeland. Far from emulating Venetian patricians, however, he set himself apart through the works he collected and the way he displayed them. In this book, Monika Schmitter imaginatively reconstructs Odoni's house – essentially a 'portrait' of Odoni through his surroundings and possessions. Schmitter's detailed analysis of Odoni's life and portrait reveals how sixteenth-century individuals drew on contemporary ideas about spirituality, history, and science to forge their own theories about the power of things and the agency of object. She shows how Lotto's painting served as a meta-commentary on the practice of collecting and on the ability of material things to transform the self.


Book Synopsis The Art Collector in Early Modern Italy by : Monika Schmitter

Download or read book The Art Collector in Early Modern Italy written by Monika Schmitter and published by Cambridge University Press. This book was released on 2021-09-23 with total page 943 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lorenzo Lotto's Portrait of Andrea Odoni is one of the most famous paintings of the Italian Renaissance. Son of an immigrant and a member of the non-noble citizen class, Odoni understood how the power of art could make a name for himself and his family in his adopted homeland. Far from emulating Venetian patricians, however, he set himself apart through the works he collected and the way he displayed them. In this book, Monika Schmitter imaginatively reconstructs Odoni's house – essentially a 'portrait' of Odoni through his surroundings and possessions. Schmitter's detailed analysis of Odoni's life and portrait reveals how sixteenth-century individuals drew on contemporary ideas about spirituality, history, and science to forge their own theories about the power of things and the agency of object. She shows how Lotto's painting served as a meta-commentary on the practice of collecting and on the ability of material things to transform the self.