Two Twelfth-Century Texts on Chinese Painting

Two Twelfth-Century Texts on Chinese Painting

Author: Robert J. Maeda

Publisher:

Published: 2020

Total Pages: 0

ISBN-13:

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Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch'un-ch'uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho's main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch'un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch'un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch'un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch'un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.


Book Synopsis Two Twelfth-Century Texts on Chinese Painting by : Robert J. Maeda

Download or read book Two Twelfth-Century Texts on Chinese Painting written by Robert J. Maeda and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch'un-ch'uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho's main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch'un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch'un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch'un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch'un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.


Two Twelfth-Century Texts on Chinese Painting

Two Twelfth-Century Texts on Chinese Painting

Author: Robert Maeda

Publisher: University of Michigan Press

Published: 2020-08-06

Total Pages: 85

ISBN-13: 0472901540

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Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch’un-ch’uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho’s main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch’un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch’un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch’un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch’un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.


Book Synopsis Two Twelfth-Century Texts on Chinese Painting by : Robert Maeda

Download or read book Two Twelfth-Century Texts on Chinese Painting written by Robert Maeda and published by University of Michigan Press. This book was released on 2020-08-06 with total page 85 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch’un-ch’uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho’s main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch’un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch’un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch’un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch’un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.


Two Twelfth Century Texts on Chinese Painting

Two Twelfth Century Texts on Chinese Painting

Author: Chun-shu Chang

Publisher:

Published: 1970

Total Pages: 73

ISBN-13: 9780892640089

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Book Synopsis Two Twelfth Century Texts on Chinese Painting by : Chun-shu Chang

Download or read book Two Twelfth Century Texts on Chinese Painting written by Chun-shu Chang and published by . This book was released on 1970 with total page 73 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Two Sung Texts on Chinese Painting and the Landscape Styles of the 11th and 12th Centuries

Two Sung Texts on Chinese Painting and the Landscape Styles of the 11th and 12th Centuries

Author: Robert J. Maeda

Publisher: Garland Publishing

Published: 1978

Total Pages: 308

ISBN-13:

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Book Synopsis Two Sung Texts on Chinese Painting and the Landscape Styles of the 11th and 12th Centuries by : Robert J. Maeda

Download or read book Two Sung Texts on Chinese Painting and the Landscape Styles of the 11th and 12th Centuries written by Robert J. Maeda and published by Garland Publishing. This book was released on 1978 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Beyond Representation

Beyond Representation

Author: Wen Fong

Publisher: Metropolitan Museum of Art

Published: 1992

Total Pages: 571

ISBN-13: 0300057016

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Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.


Book Synopsis Beyond Representation by : Wen Fong

Download or read book Beyond Representation written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 1992 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.


Michigan papers in Chinese studies

Michigan papers in Chinese studies

Author:

Publisher:

Published: 1970

Total Pages: 74

ISBN-13: 9780892640089

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Book Synopsis Michigan papers in Chinese studies by :

Download or read book Michigan papers in Chinese studies written by and published by . This book was released on 1970 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Between Two Cultures

Between Two Cultures

Author: Wen Fong

Publisher: Metropolitan Museum of Art

Published: 2001

Total Pages: 302

ISBN-13: 0870999842

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The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.


Book Synopsis Between Two Cultures by : Wen Fong

Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.


Words and Images

Words and Images

Author: Alfreda Murck

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 615

ISBN-13: 0870996045

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In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.


Book Synopsis Words and Images by : Alfreda Murck

Download or read book Words and Images written by Alfreda Murck and published by Metropolitan Museum of Art. This book was released on 1991 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.


The Chinese on the Art of Painting

The Chinese on the Art of Painting

Author: Osvald Sirén

Publisher: Courier Corporation

Published: 2013-02-19

Total Pages: 290

ISBN-13: 0486147010

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Comments by noted landscapists, poet-painters, historians, and theoreticians; discussions of Ch'an Buddhism and its relation to painting; methods of study and aesthetic principles, more.


Book Synopsis The Chinese on the Art of Painting by : Osvald Sirén

Download or read book The Chinese on the Art of Painting written by Osvald Sirén and published by Courier Corporation. This book was released on 2013-02-19 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comments by noted landscapists, poet-painters, historians, and theoreticians; discussions of Ch'an Buddhism and its relation to painting; methods of study and aesthetic principles, more.


Two Twelth Century Texts on Chinese Painting

Two Twelth Century Texts on Chinese Painting

Author: Robert J. Maeda

Publisher:

Published: 1970

Total Pages: 0

ISBN-13:

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Book Synopsis Two Twelth Century Texts on Chinese Painting by : Robert J. Maeda

Download or read book Two Twelth Century Texts on Chinese Painting written by Robert J. Maeda and published by . This book was released on 1970 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: