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Offers a comprehensive analysis of the artist Pablo Picasso, discussing the relationships and associations between his work and personal life, and between Picasso's Cubism and Einstein's Theory of Relativity.
Book Synopsis Unity of Picassos Art by : Meyer Schapiro
Download or read book Unity of Picassos Art written by Meyer Schapiro and published by National Geographic Books. This book was released on 2001-02-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a comprehensive analysis of the artist Pablo Picasso, discussing the relationships and associations between his work and personal life, and between Picasso's Cubism and Einstein's Theory of Relativity.
"This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
Book Synopsis The Visual Mind II by : Michele Emmer
Download or read book The Visual Mind II written by Michele Emmer and published by MIT Press. This book was released on 2005 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
Book Synopsis Conceptual Revolutions in Twentieth-Century Art by : David W. Galenson
Download or read book Conceptual Revolutions in Twentieth-Century Art written by David W. Galenson and published by Cambridge University Press. This book was released on 2009-09-14 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
Book Synopsis Pablo Picasso: Structures of Invention by :
Download or read book Pablo Picasso: Structures of Invention written by and published by La Fabrica. This book was released on 2024-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Described in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectuals of his time. This volume synthesizes his prolific career for the first time, demonstrating how Schapiro worked from the nexus of artistic and intellectual practice to confront some of the twentieth century’s most abiding questions. Schapiro was renowned for pioneering interdisciplinary approaches to interpreting visual art. His lengthy formal analyses in the 1920s, Marxist interpretations in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and semiotic explorations in the 1970s all helped open new avenues for inquiry. Based on archival research, C. Oliver O’Donnell’s study is structured chronologically around eight defining debates in which Schapiro participated, including his dispute with Isaiah Berlin over the life and writing of Bernard Berenson, Schapiro’s critique of Martin Heidegger’s ekphrastic commentary on Van Gogh, and his confrontation with Claude Lévi-Strauss over the applicability of mathematics to the interpretation of visual art. O’Donnell’s thoughtful analysis of these intellectual exchanges not only traces Schapiro’s philosophical evolution but also relates them to the development of art history as a discipline, to central tensions of artistic modernism, and to modern intellectual history as a whole. Comprehensive and thought-provoking, this study of Schapiro’s career pieces together the separate strands of his work into one cohesive picture. In doing so, it reveals Schapiro’s substantial impact on the field of art history and on twentieth-century modernism.
Book Synopsis Meyer Schapiro’s Critical Debates by : C. Oliver O’Donnell
Download or read book Meyer Schapiro’s Critical Debates written by C. Oliver O’Donnell and published by Penn State Press. This book was released on 2020-03-03 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Described in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectuals of his time. This volume synthesizes his prolific career for the first time, demonstrating how Schapiro worked from the nexus of artistic and intellectual practice to confront some of the twentieth century’s most abiding questions. Schapiro was renowned for pioneering interdisciplinary approaches to interpreting visual art. His lengthy formal analyses in the 1920s, Marxist interpretations in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and semiotic explorations in the 1970s all helped open new avenues for inquiry. Based on archival research, C. Oliver O’Donnell’s study is structured chronologically around eight defining debates in which Schapiro participated, including his dispute with Isaiah Berlin over the life and writing of Bernard Berenson, Schapiro’s critique of Martin Heidegger’s ekphrastic commentary on Van Gogh, and his confrontation with Claude Lévi-Strauss over the applicability of mathematics to the interpretation of visual art. O’Donnell’s thoughtful analysis of these intellectual exchanges not only traces Schapiro’s philosophical evolution but also relates them to the development of art history as a discipline, to central tensions of artistic modernism, and to modern intellectual history as a whole. Comprehensive and thought-provoking, this study of Schapiro’s career pieces together the separate strands of his work into one cohesive picture. In doing so, it reveals Schapiro’s substantial impact on the field of art history and on twentieth-century modernism.
RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.
Book Synopsis Res by : Francesco Pellizzi
Download or read book Res written by Francesco Pellizzi and published by Harvard University Press. This book was released on 2014-03-10 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.
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Book Synopsis War and the Cosmos in Picasso's Texts, 1936-1940 by : Lydia Gasman
Download or read book War and the Cosmos in Picasso's Texts, 1936-1940 written by Lydia Gasman and published by iUniverse. This book was released on 2007-04 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vert ciel ciel ciel ciel vert vert ciel ciel ciel ciel noir vert vert ciel marron ciel ciel ciel noir noir noir noir blanc blanc noir vert marron ciel ciel cahce dans ses poches ses mains la nuit ciel aloes fleur ciel cobalt de corde livre de chevet ciel Coeur eventual violet ciel robe de soir bouquet de violettes violet violet ciel Pierre de lune ciel noir vert ciel marron roué de fue d'artifice perle ciel noir jaune vert citronnier noir ciseaux ombre jaune neige vert marron crème remplie d'eau-de-vie un vol de canaries bleu vert noir loup ciel ciel ciel jaune linge brodé vert nuit ciel soufre blanc plat d'argent terre labourée ciel ciel blane ciel ciel ciel blanc ciel ciel ciel ciel blanc blanc ciel bleu bleu bleu
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Book Synopsis Old Masters and Young Geniuses by : David W. Galenson
Download or read book Old Masters and Young Geniuses written by David W. Galenson and published by Princeton University Press. This book was released on 2006 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Looks at the basic elements of the development of plants and animals.
Book Synopsis The Art of Genes by : Enrico Coen
Download or read book The Art of Genes written by Enrico Coen and published by Oxford University Press on Demand. This book was released on 2000 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the basic elements of the development of plants and animals.
"What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way?" With these words, Pablo Picasso described the revolutionary methods of painting and artistic perspective with which he challenged the ways people and the world were defined. His life was a similarly complex prism of people, places, and ideologies that spanned most of the twentieth century. Acclaimed scholar Mary Ann Caws provides in Pablo Picasso a fresh and concise examination of Picasso's life and art, revisiting the themes that occupied him throughout his life and weaving these themes through his crucial close relationships. Caws embarks on a global journey to retrace the footsteps of Picasso, giving biographical context to his work from Les Demoiselles d'Avignon through Guernica and analyzing the changes and inconsistencies in his oeuvre over the course of the twentieth century. She examines Picasso's attempts to balance various viewpoints, artistic strategies, lovers, and friends, positing the central figures of the Harlequin, the clown, and the acrobat in his art as emblematic of his actions. Gertrude Stein, Max Jacob, Apollinaire, Jean Cocteau, André Breton, Salvador Dalí, Paul Eluard, and Roland Penrose all make appearances in these pages as Caws examines their influence on Picasso. Caws also delves into Picasso's tumultuous relationships with his lovers Dora Maar, Françoise Gilot, and Jacqueline Roque to understand their effects on his art. A compelling and original portrait, Pablo Picasso offers a lively exploration into the personal networks that both challenged and sustained Picasso.
Book Synopsis Pablo Picasso by : Mary Ann Caws
Download or read book Pablo Picasso written by Mary Ann Caws and published by Reaktion Books. This book was released on 2013-06-01 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way?" With these words, Pablo Picasso described the revolutionary methods of painting and artistic perspective with which he challenged the ways people and the world were defined. His life was a similarly complex prism of people, places, and ideologies that spanned most of the twentieth century. Acclaimed scholar Mary Ann Caws provides in Pablo Picasso a fresh and concise examination of Picasso's life and art, revisiting the themes that occupied him throughout his life and weaving these themes through his crucial close relationships. Caws embarks on a global journey to retrace the footsteps of Picasso, giving biographical context to his work from Les Demoiselles d'Avignon through Guernica and analyzing the changes and inconsistencies in his oeuvre over the course of the twentieth century. She examines Picasso's attempts to balance various viewpoints, artistic strategies, lovers, and friends, positing the central figures of the Harlequin, the clown, and the acrobat in his art as emblematic of his actions. Gertrude Stein, Max Jacob, Apollinaire, Jean Cocteau, André Breton, Salvador Dalí, Paul Eluard, and Roland Penrose all make appearances in these pages as Caws examines their influence on Picasso. Caws also delves into Picasso's tumultuous relationships with his lovers Dora Maar, Françoise Gilot, and Jacqueline Roque to understand their effects on his art. A compelling and original portrait, Pablo Picasso offers a lively exploration into the personal networks that both challenged and sustained Picasso.
