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A guide to Venetian architecture that covers all the major architects of the period 1460-1525, with special attention to the work of Pietro Lombardo and Mauro Codussi.
Book Synopsis Venetian Architecture of the Early Renaissance by : John McAndrew
Download or read book Venetian Architecture of the Early Renaissance written by John McAndrew and published by Cambridge, Mass. : MIT Press. This book was released on 1980 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to Venetian architecture that covers all the major architects of the period 1460-1525, with special attention to the work of Pietro Lombardo and Mauro Codussi.
This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why great buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book is the first to trace the complete process of creating important buildings, from the earliest conception in the minds of the patrons--the Venetian state or other institutional patrons--through the choice of architect, the employment of craftsmen, and the selection of materials. In an interesting analysis of the participants’ roles, Goy highlights the emerging importance of the superintending master, the protomaestro.
Book Synopsis Building Renaissance Venice by : Richard John Goy
Download or read book Building Renaissance Venice written by Richard John Goy and published by Yale University Press. This book was released on 2006-01-01 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why great buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book is the first to trace the complete process of creating important buildings, from the earliest conception in the minds of the patrons--the Venetian state or other institutional patrons--through the choice of architect, the employment of craftsmen, and the selection of materials. In an interesting analysis of the participants’ roles, Goy highlights the emerging importance of the superintending master, the protomaestro.
Book Synopsis Venetian Architecture of the Early Renaissance. By John McAndrew. Cambridge, Mass by : Juergen Schulz
Download or read book Venetian Architecture of the Early Renaissance. By John McAndrew. Cambridge, Mass written by Juergen Schulz and published by . This book was released on 1981 with total page 5 pages. Available in PDF, EPUB and Kindle. Book excerpt:
"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Book Synopsis Painting as a Modern Art in Early Renaissance Italy by : Robert Brennan
Download or read book Painting as a Modern Art in Early Renaissance Italy written by Robert Brennan and published by Harvey Miller. This book was released on 2019 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development and present a typological survey of Venetian architecture. A review of sculptors and their works follows. Norbert Huse opens the next section, on painting, by describing the changed situation of painters at the end of the fifteenth century. He explores the different forms and functions of Venetian paintings in three distinct periods. With over three hundred illustrations and an exhaustive bibliography, this volume successfully fills a gap in art historical scholarship. -- From publisher's description.
Book Synopsis The Art of Renaissance Venice by : Norbert Huse
Download or read book The Art of Renaissance Venice written by Norbert Huse and published by University of Chicago Press. This book was released on 1993-10-30 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development and present a typological survey of Venetian architecture. A review of sculptors and their works follows. Norbert Huse opens the next section, on painting, by describing the changed situation of painters at the end of the fifteenth century. He explores the different forms and functions of Venetian paintings in three distinct periods. With over three hundred illustrations and an exhaustive bibliography, this volume successfully fills a gap in art historical scholarship. -- From publisher's description.
Celebrating the twentieth anniversary of Venetian Heritage--whose mission is to safeguard Venetian cultural legacy as manifested in architecture, music, and fine art--this stunning volume highlights the organization's work in restoring, preserving, and promoting the cultural heritage of Venice. This book showcases the most impressive restoration projects of the last twenty years, from the eighteenth-century façade of the Church of Jesuits and early-Renaissance façade of the Church of San Zaccaria in Venice, to the Chapel of the Blessed Giovanni Orsini and the Romanesque portal of the Cathedral of Saint Lawrence in Croatia. Beautifully photographed in breathtaking detail, this volume tells the story of the crucial role that Venetian Heritage has in preserving the art of Venice both in Italy and in the areas once part of the Republic of Venice.
Book Synopsis Venetian Heritage by : Toto Bergamo Rossi
Download or read book Venetian Heritage written by Toto Bergamo Rossi and published by Rizzoli Publications. This book was released on 2019-09-03 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrating the twentieth anniversary of Venetian Heritage--whose mission is to safeguard Venetian cultural legacy as manifested in architecture, music, and fine art--this stunning volume highlights the organization's work in restoring, preserving, and promoting the cultural heritage of Venice. This book showcases the most impressive restoration projects of the last twenty years, from the eighteenth-century façade of the Church of Jesuits and early-Renaissance façade of the Church of San Zaccaria in Venice, to the Chapel of the Blessed Giovanni Orsini and the Romanesque portal of the Cathedral of Saint Lawrence in Croatia. Beautifully photographed in breathtaking detail, this volume tells the story of the crucial role that Venetian Heritage has in preserving the art of Venice both in Italy and in the areas once part of the Republic of Venice.
Overzicht van de Venetiaanse architectuur, vanaf de stichting in de Romeinse tijd tot nu.
Book Synopsis The Architectural History of Venice by : Deborah Howard
Download or read book The Architectural History of Venice written by Deborah Howard and published by Yale University Press. This book was released on 2002-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Overzicht van de Venetiaanse architectuur, vanaf de stichting in de Romeinse tijd tot nu.
The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
Book Synopsis Renaissance Architecture by : Christy Anderson
Download or read book Renaissance Architecture written by Christy Anderson and published by OUP Oxford. This book was released on 2013-02-28 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
The floating city of Venice has enchanted visitors for centuries with its maze of scenic canals. For this pioneering book, Daniel Savoy set out by boat to explore the built environment of these waterways, gaining new insights into the architectural history of this major early modern Italian center. By viewing the architecture and experience of the canals in relation to the production of Venetian civic mythology, the author found that the waterways of Venice and its lagoon were integral areas of the city's pre-modern urban space, and that their flanking buildings were constructed in an intimate dialogue with the water's visual, spatial, and metaphorical properties. Enhancing the natural wonder of their aquatic setting, the builders of Venice used illusory aesthetic and scenographic practices to create waterfront buildings that appear to float, blend into the water, and glide into view around bends in the canals--transporting visitors into a seemingly otherworldly realm. This book's striking photographs of Venice, as seen from its waterways, will likewise transport readers with breathtaking views of this captivating city.
Book Synopsis Venice from the Water by : Daniel Savoy
Download or read book Venice from the Water written by Daniel Savoy and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The floating city of Venice has enchanted visitors for centuries with its maze of scenic canals. For this pioneering book, Daniel Savoy set out by boat to explore the built environment of these waterways, gaining new insights into the architectural history of this major early modern Italian center. By viewing the architecture and experience of the canals in relation to the production of Venetian civic mythology, the author found that the waterways of Venice and its lagoon were integral areas of the city's pre-modern urban space, and that their flanking buildings were constructed in an intimate dialogue with the water's visual, spatial, and metaphorical properties. Enhancing the natural wonder of their aquatic setting, the builders of Venice used illusory aesthetic and scenographic practices to create waterfront buildings that appear to float, blend into the water, and glide into view around bends in the canals--transporting visitors into a seemingly otherworldly realm. This book's striking photographs of Venice, as seen from its waterways, will likewise transport readers with breathtaking views of this captivating city.
The history of Venetian architecture is no less remarkable than the history of that city itself, and Ennio Concina's comprehensive survey draws on extensive original research on the city's cultural history to offer fresh insights and an energetic approach to the architecture. Beginning with the traces of classical activity found in the territory which became ducal Venice, to its establishment as an urba magna in the Byzantine age, and the architectural glories of the Renaissance and Baroque city, Concina discusses the influence of Venice's extraordinary position in history and geography on the architectural styles to be found there. He overturns many long established theories on the development of the lagoon city, and discusses the work of many of history's most famous architects - Sansovino, Sanmicheli, Palladio, Longhena - bringing the story up to date with his examination of the twentieth-century's attempts to expand the economy, and preserve the city's heritage. This lavishly produced title is a co-edition with Electa Books, Italy.
Book Synopsis A History of Venetian Architecture by : Ennio Concina
Download or read book A History of Venetian Architecture written by Ennio Concina and published by . This book was released on 1998 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of Venetian architecture is no less remarkable than the history of that city itself, and Ennio Concina's comprehensive survey draws on extensive original research on the city's cultural history to offer fresh insights and an energetic approach to the architecture. Beginning with the traces of classical activity found in the territory which became ducal Venice, to its establishment as an urba magna in the Byzantine age, and the architectural glories of the Renaissance and Baroque city, Concina discusses the influence of Venice's extraordinary position in history and geography on the architectural styles to be found there. He overturns many long established theories on the development of the lagoon city, and discusses the work of many of history's most famous architects - Sansovino, Sanmicheli, Palladio, Longhena - bringing the story up to date with his examination of the twentieth-century's attempts to expand the economy, and preserve the city's heritage. This lavishly produced title is a co-edition with Electa Books, Italy.
