Download Versailles Meets The Taj Mahal full books in PDF, epub, and Kindle. Read online Versailles Meets The Taj Mahal ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Challenging the prevailing images of India derived from nineteenth-century "orientalism," Versailles Meets the Taj Mahal identifies and explores the traces that exposure to India left on the cultural artifacts and mindset of France's "Great Century."
Book Synopsis Versailles Meets the Taj Mahal by : Faith E. Beasley
Download or read book Versailles Meets the Taj Mahal written by Faith E. Beasley and published by University of Toronto Press. This book was released on 2018-01-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging the prevailing images of India derived from nineteenth-century "orientalism," Versailles Meets the Taj Mahal identifies and explores the traces that exposure to India left on the cultural artifacts and mindset of France's "Great Century."
Versailles Meets the Taj Mahal identifies and explores the traces that exposure to India left on the cultural artifacts and mindset of France’s "Great Century" and the early Enlightenment. Focusing on the salon of Marguerite de La Sablière and its encounter with the traveler and philosopher François Bernier, this book resurrects the conversations about India inspired by Bernier’s travels and inscribed in his influential texts produced in collaboration with La Sablière’s salon. The literary works, correspondences, and philosophical texts produced by the members of this eclectic salon bear the traces of this engagement with India. Faith E. Beasley’s analysis of these conversations reveals France’s unique engagement with India during this period and challenges prevailing images derived from a nineteenth-century "orientalism" imbued with colonialism. The India encountered in La Sablière’s salon through Francois Bernier and others is not the colonized India that has come to dominate any image of the Orient. Versailles Meets the Taj Mahal adds a new chapter to literary and cultural history by adopting a new approach to the study of salon culture, exploring how texts, cultural artifacts, and patterns of thought were shaped by the collective reading and by the conversations emanating from these practices. Beasley’s analysis highlights the unique role of French salon culture in the evolution of western thought during the early modern period.
Book Synopsis Versailles Meets the Taj Mahal by : Faith E. Beasley
Download or read book Versailles Meets the Taj Mahal written by Faith E. Beasley and published by University of Toronto Press. This book was released on 2018-03-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Versailles Meets the Taj Mahal identifies and explores the traces that exposure to India left on the cultural artifacts and mindset of France’s "Great Century" and the early Enlightenment. Focusing on the salon of Marguerite de La Sablière and its encounter with the traveler and philosopher François Bernier, this book resurrects the conversations about India inspired by Bernier’s travels and inscribed in his influential texts produced in collaboration with La Sablière’s salon. The literary works, correspondences, and philosophical texts produced by the members of this eclectic salon bear the traces of this engagement with India. Faith E. Beasley’s analysis of these conversations reveals France’s unique engagement with India during this period and challenges prevailing images derived from a nineteenth-century "orientalism" imbued with colonialism. The India encountered in La Sablière’s salon through Francois Bernier and others is not the colonized India that has come to dominate any image of the Orient. Versailles Meets the Taj Mahal adds a new chapter to literary and cultural history by adopting a new approach to the study of salon culture, exploring how texts, cultural artifacts, and patterns of thought were shaped by the collective reading and by the conversations emanating from these practices. Beasley’s analysis highlights the unique role of French salon culture in the evolution of western thought during the early modern period.
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Book Synopsis The Oxford Handbook of the Baroque by : John D. Lyons
Download or read book The Oxford Handbook of the Baroque written by John D. Lyons and published by Oxford University Press. This book was released on 2019-08-08 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
Book Synopsis The Cambridge History of the Novel in French by : Adam Watt
Download or read book The Cambridge History of the Novel in French written by Adam Watt and published by Cambridge University Press. This book was released on 2021-02-25 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt: This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.
Book Synopsis French Global by : Christie McDonald
Download or read book French Global written by Christie McDonald and published by Columbia University Press. This book was released on 2010-10-25 with total page 947 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.
The Dream of Absolutism examines the political aesthetics of power under Louis XIV. What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained—and what is lost—by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do? In this sweeping reconsideration of absolutist culture, Hall Bjørnstad argues that the exuberance of Louis XIV’s reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bjørnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun’s famous paintings in the Hall of Mirrors at Versailles via the king’s secret Mémoires to two little-known particularly extravagant verbal and textual celebrations of the king. The dream of absolutism, Bjørnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.
Book Synopsis The Dream of Absolutism by : Hall Bjørnstad
Download or read book The Dream of Absolutism written by Hall Bjørnstad and published by University of Chicago Press. This book was released on 2021-10-15 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dream of Absolutism examines the political aesthetics of power under Louis XIV. What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained—and what is lost—by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do? In this sweeping reconsideration of absolutist culture, Hall Bjørnstad argues that the exuberance of Louis XIV’s reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bjørnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun’s famous paintings in the Hall of Mirrors at Versailles via the king’s secret Mémoires to two little-known particularly extravagant verbal and textual celebrations of the king. The dream of absolutism, Bjørnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.
Crowning Glories integrates Louis XIV’s propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century – three historical touchstones – to examine what it would have meant for France’s elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy’s elaborate palace decors, the court’s official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surprisingly dramatic role within the flourishing of the arts, both visual and textual, in France during Louis XIV’s reign. Netherlandish realist art represented thinking about knowledge that challenged the monarchy’s hold on the French imagination, and its efforts to impose the king’s portrait as an ideal and proof of his authority. As objects appreciated for their aesthetic and market value, Northern realist paintings assumed an uncontroversial place in French royal and elite collections. Flemish and Dutch still lifes, genre paintings, and cityscapes, however, were not merely accoutrements of power, acquisitions made by those with influence and money. Crowning Glories reveals how the empirical orientation of Netherlandish realism exposed French court society to a radically different mode of thought, one that would gain full expression in the Encyclopédie of Diderot and d’Alembert.
Book Synopsis Crowning Glories by : Harriet Stone
Download or read book Crowning Glories written by Harriet Stone and published by University of Toronto Press. This book was released on 2019-04-08 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Crowning Glories integrates Louis XIV’s propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century – three historical touchstones – to examine what it would have meant for France’s elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy’s elaborate palace decors, the court’s official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surprisingly dramatic role within the flourishing of the arts, both visual and textual, in France during Louis XIV’s reign. Netherlandish realist art represented thinking about knowledge that challenged the monarchy’s hold on the French imagination, and its efforts to impose the king’s portrait as an ideal and proof of his authority. As objects appreciated for their aesthetic and market value, Northern realist paintings assumed an uncontroversial place in French royal and elite collections. Flemish and Dutch still lifes, genre paintings, and cityscapes, however, were not merely accoutrements of power, acquisitions made by those with influence and money. Crowning Glories reveals how the empirical orientation of Netherlandish realism exposed French court society to a radically different mode of thought, one that would gain full expression in the Encyclopédie of Diderot and d’Alembert.
A masterful deciphering of an extraordinary art object, illuminating some of the biggest questions of the eighteenth century The Throne of the Great Mogul (1701-8) is a unique work of European decorative art: an intricate miniature of the court of the Mughal emperor Aurangzeb depicted during the emperor's birthday celebrations. It was created by the jeweler Johann Melchior Dinglinger in Dresden and purchased by the Saxon prince Augustus the Strong for an enormous sum. Constructed like a theatrical set made of gold, silver, thousands of gemstones, and amazing enamel work, it consists of 164 pieces that together tell a detailed story. Why did Dinglinger invest so much time and effort in making this piece? Why did Augustus, in the midst of a political and financial crisis, purchase it? And why did the jeweler secrete in it messages wholly unrelated to the prince or to the Great Mogul? In answering these questions, Dror Wahrman, while shifting scales from microhistory to global history, opens a window onto major historical themes of the period: the nature of European absolutism, the princely politics of the Holy Roman Empire, the changing meaning of art in the West, the surprising emergence of a cross-continental lexicon of rulership shared across the Eastern Hemisphere, and the enactment in jewels and gold of quirky contemporary theories about the global history of religion.
Book Synopsis The Throne of the Great Mogul in Dresden by : Dror Wahrman
Download or read book The Throne of the Great Mogul in Dresden written by Dror Wahrman and published by Yale University Press. This book was released on 2023-04-25 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: A masterful deciphering of an extraordinary art object, illuminating some of the biggest questions of the eighteenth century The Throne of the Great Mogul (1701-8) is a unique work of European decorative art: an intricate miniature of the court of the Mughal emperor Aurangzeb depicted during the emperor's birthday celebrations. It was created by the jeweler Johann Melchior Dinglinger in Dresden and purchased by the Saxon prince Augustus the Strong for an enormous sum. Constructed like a theatrical set made of gold, silver, thousands of gemstones, and amazing enamel work, it consists of 164 pieces that together tell a detailed story. Why did Dinglinger invest so much time and effort in making this piece? Why did Augustus, in the midst of a political and financial crisis, purchase it? And why did the jeweler secrete in it messages wholly unrelated to the prince or to the Great Mogul? In answering these questions, Dror Wahrman, while shifting scales from microhistory to global history, opens a window onto major historical themes of the period: the nature of European absolutism, the princely politics of the Holy Roman Empire, the changing meaning of art in the West, the surprising emergence of a cross-continental lexicon of rulership shared across the Eastern Hemisphere, and the enactment in jewels and gold of quirky contemporary theories about the global history of religion.
Audiences are among the dominant elements of courtly life and may be referred to as a central aspect of representation of power in many societies. Audiences also served as a stage for negotiation and political decision-making. Beyond that, the ceremonial of audience acted as an integrative factor, strengthening the connections between the ruler and his subjects, the élite and his dynastic background. It thus reflects the structure, or at least the intended structure of rule, and allows us to get insight into the perception of the ruler in the respective society. This volume offers an approach to forms and structures of audiences in different epochs and regions. Choosing a transcultural and diachronic perspective, it aims at delineating similarities and differences as well as possible lines of development of the ceremonial on a broad basis of case studies. Audienzen gehören zu den prägenden Bestandteilen höfischen Lebens und können als zentraler Aspekt der Herrschaftsrepräsentation bezeichnet werden. Sie dienten aber nicht nur der Repräsentation, sondern waren auch Ort von Verhandlung und politischer Entscheidung. Hinzu trat die integrative Funktion der Audienz: Durch den Vollzug des Zeremoniells wurde auch die Verbindung des Herrschers zu seinen Untertanen, Vertrauten und zu seiner Dynastie dargestellt und gefestigt. Das Zeremoniell der Audienz spiegelt somit das (intendierte) Gefüge der Herrschaft, und lässt Rückschlüsse auf das Herrscherbild der jeweiligen Gesellschaft zu. Der Sammelband behandelt Formen und Strukturen des Audienz-Zeremoniells in transkultureller und diachroner Perspektive, in dem Gemeinsamkeiten und Unterschiede, sowie Entwicklungslinien des Audienz-Zeremoniells auf einer breiten Basis von Fallbeispielen. Dazu versammelt er Beiträge zu unterschiedlichen Teilaspekten des Audienz-Zeremoniells in vormodernen Gesellschaften Europas, Asiens und des nördlichen Afrikas.
Book Synopsis The Ceremonial of Audience by : Eva Orthmann
Download or read book The Ceremonial of Audience written by Eva Orthmann and published by V&R Unipress. This book was released on 2019-11-11 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Audiences are among the dominant elements of courtly life and may be referred to as a central aspect of representation of power in many societies. Audiences also served as a stage for negotiation and political decision-making. Beyond that, the ceremonial of audience acted as an integrative factor, strengthening the connections between the ruler and his subjects, the élite and his dynastic background. It thus reflects the structure, or at least the intended structure of rule, and allows us to get insight into the perception of the ruler in the respective society. This volume offers an approach to forms and structures of audiences in different epochs and regions. Choosing a transcultural and diachronic perspective, it aims at delineating similarities and differences as well as possible lines of development of the ceremonial on a broad basis of case studies. Audienzen gehören zu den prägenden Bestandteilen höfischen Lebens und können als zentraler Aspekt der Herrschaftsrepräsentation bezeichnet werden. Sie dienten aber nicht nur der Repräsentation, sondern waren auch Ort von Verhandlung und politischer Entscheidung. Hinzu trat die integrative Funktion der Audienz: Durch den Vollzug des Zeremoniells wurde auch die Verbindung des Herrschers zu seinen Untertanen, Vertrauten und zu seiner Dynastie dargestellt und gefestigt. Das Zeremoniell der Audienz spiegelt somit das (intendierte) Gefüge der Herrschaft, und lässt Rückschlüsse auf das Herrscherbild der jeweiligen Gesellschaft zu. Der Sammelband behandelt Formen und Strukturen des Audienz-Zeremoniells in transkultureller und diachroner Perspektive, in dem Gemeinsamkeiten und Unterschiede, sowie Entwicklungslinien des Audienz-Zeremoniells auf einer breiten Basis von Fallbeispielen. Dazu versammelt er Beiträge zu unterschiedlichen Teilaspekten des Audienz-Zeremoniells in vormodernen Gesellschaften Europas, Asiens und des nördlichen Afrikas.
The map we draw of seventeenth-century French literary and intellectual culture is usually a small one, centered on Paris and Versailles to reflect the consolidation of intellectual and artistic capital under absolutism. Yet this process of centrali-zation depended on the creation of strong infrastructures connecting France's seat of political and cultural power to the provinces and the rest of the world: an efficient postal system, Europe's largest network of foreign embassies, trade links stretching to Asia and the Americas. How might a focus on these networks – and on the agents, materials, concepts, and practices that constituted them – broaden our mental topo-graphy of seventeenth-century French culture? This question animated a rich discussion during the May 2014 conference of the North American Society for Seventeenth-Century French Literature, held at Duke University and the University of North Carolina, Chapel Hill. The present volume represents a selec-tion of the contributions to the conference.
Book Synopsis Networks, Interconnection, Connectivity by : Ellen R. Welch
Download or read book Networks, Interconnection, Connectivity written by Ellen R. Welch and published by Narr Francke Attempto Verlag. This book was released on 2015-06-17 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The map we draw of seventeenth-century French literary and intellectual culture is usually a small one, centered on Paris and Versailles to reflect the consolidation of intellectual and artistic capital under absolutism. Yet this process of centrali-zation depended on the creation of strong infrastructures connecting France's seat of political and cultural power to the provinces and the rest of the world: an efficient postal system, Europe's largest network of foreign embassies, trade links stretching to Asia and the Americas. How might a focus on these networks – and on the agents, materials, concepts, and practices that constituted them – broaden our mental topo-graphy of seventeenth-century French culture? This question animated a rich discussion during the May 2014 conference of the North American Society for Seventeenth-Century French Literature, held at Duke University and the University of North Carolina, Chapel Hill. The present volume represents a selec-tion of the contributions to the conference.
