Victorian Fetishism

Victorian Fetishism

Author: Peter Melville Logan

Publisher: State University of New York Press

Published: 2008-12-18

Total Pages: 220

ISBN-13: 0791477282

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Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.


Book Synopsis Victorian Fetishism by : Peter Melville Logan

Download or read book Victorian Fetishism written by Peter Melville Logan and published by State University of New York Press. This book was released on 2008-12-18 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.

The Racial Hand in the Victorian Imagination

The Racial Hand in the Victorian Imagination

Author: Aviva Briefel

Publisher: Cambridge University Press

Published: 2015-09-16

Total Pages: 235

ISBN-13: 1316390454

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The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siècle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts.


Book Synopsis The Racial Hand in the Victorian Imagination by : Aviva Briefel

Download or read book The Racial Hand in the Victorian Imagination written by Aviva Briefel and published by Cambridge University Press. This book was released on 2015-09-16 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siècle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts.

Representations of Hair in Victorian Literature and Culture

Representations of Hair in Victorian Literature and Culture

Author: Galia Ofek

Publisher: Routledge

Published: 2016-12-05

Total Pages: 437

ISBN-13: 1351904183

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Galia Ofek's wide-ranging study elucidates the historical, artistic, literary, and theoretical meanings of the Victorians' preoccupation with hair. Victorian writers and artists, Ofek argues, had a well-developed awareness of fetishism as an overinvestment of value in a specific body part and were fully cognizant of hair's symbolic resonance and its value as an object of commerce. In particular, they were increasingly alert to the symbolic significance of hairstyling. Among the writers and artists Ofek considers are Elizabeth Gaskell, George Eliot, Margaret Oliphant, Charles Darwin, Anthony Trollope, Elizabeth Barrett Browning, Eliza Lynn Linton, Mary Elizabeth Braddon, Herbert Spencer, Dante Gabriel Rossetti, Edward Burne-Jones, Charles Dickens, Thomas Hardy, and Aubrey Beardsley. By examining fiction, poetry, anthropological and scientific works, newspaper reviews and advertisements, correspondence, jewellery, paintings, and cartoons, Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century.


Book Synopsis Representations of Hair in Victorian Literature and Culture by : Galia Ofek

Download or read book Representations of Hair in Victorian Literature and Culture written by Galia Ofek and published by Routledge. This book was released on 2016-12-05 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: Galia Ofek's wide-ranging study elucidates the historical, artistic, literary, and theoretical meanings of the Victorians' preoccupation with hair. Victorian writers and artists, Ofek argues, had a well-developed awareness of fetishism as an overinvestment of value in a specific body part and were fully cognizant of hair's symbolic resonance and its value as an object of commerce. In particular, they were increasingly alert to the symbolic significance of hairstyling. Among the writers and artists Ofek considers are Elizabeth Gaskell, George Eliot, Margaret Oliphant, Charles Darwin, Anthony Trollope, Elizabeth Barrett Browning, Eliza Lynn Linton, Mary Elizabeth Braddon, Herbert Spencer, Dante Gabriel Rossetti, Edward Burne-Jones, Charles Dickens, Thomas Hardy, and Aubrey Beardsley. By examining fiction, poetry, anthropological and scientific works, newspaper reviews and advertisements, correspondence, jewellery, paintings, and cartoons, Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century.

Victorian Reformation

Victorian Reformation

Author: Dominic Janes

Publisher: Oxford University Press

Published: 2009-04-08

Total Pages: 250

ISBN-13: 0199702837

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In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.


Book Synopsis Victorian Reformation by : Dominic Janes

Download or read book Victorian Reformation written by Dominic Janes and published by Oxford University Press. This book was released on 2009-04-08 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.

Fetishizing Tradition

Fetishizing Tradition

Author: Alan Cole

Publisher: State University of New York Press

Published: 2015-09-21

Total Pages: 300

ISBN-13: 1438457464

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This innovative work documents the literary gesture that "fetishizes tradition," making long-standing religious traditions appear present and available through the reading experience. Taking as examples Paul's Letter to the Romans, the Gospel of Mark, the Sūtra on the Land of Bliss (Sukhāvatīvyūha), and the Platform Sūtra of the Sixth Patriarch (Liuzu tanjing), Alan Cole shows how these texts invite readers into the fantasy that they can leave behind tradition's established rites, rituals, sacrifices, institutions, and festivals in order to take up just the text and its narrative as the key to salvation. Ironically, then, one's salvation is determined by how one receives the (new) message of salvation. Crucial to making these more virtual forms of tradition appear plausible is the reconstruction of tradition's "truth-fathers"—God or the Buddha, as the case may be—so that they appear to endorse the legitimacy of these new ways of being traditional. Relying on a wide body of critical theory, this book presents an intriguing way to rethink key elements in Christian and Buddhist thought.


Book Synopsis Fetishizing Tradition by : Alan Cole

Download or read book Fetishizing Tradition written by Alan Cole and published by State University of New York Press. This book was released on 2015-09-21 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative work documents the literary gesture that "fetishizes tradition," making long-standing religious traditions appear present and available through the reading experience. Taking as examples Paul's Letter to the Romans, the Gospel of Mark, the Sūtra on the Land of Bliss (Sukhāvatīvyūha), and the Platform Sūtra of the Sixth Patriarch (Liuzu tanjing), Alan Cole shows how these texts invite readers into the fantasy that they can leave behind tradition's established rites, rituals, sacrifices, institutions, and festivals in order to take up just the text and its narrative as the key to salvation. Ironically, then, one's salvation is determined by how one receives the (new) message of salvation. Crucial to making these more virtual forms of tradition appear plausible is the reconstruction of tradition's "truth-fathers"—God or the Buddha, as the case may be—so that they appear to endorse the legitimacy of these new ways of being traditional. Relying on a wide body of critical theory, this book presents an intriguing way to rethink key elements in Christian and Buddhist thought.

Fashion and Fetishism

Fashion and Fetishism

Author: David Kunzle

Publisher: The History Press

Published: 2006-08-24

Total Pages: 493

ISBN-13: 0752495453

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Presenting the history of corsetry and body sculpture, this edition shows how the relationship between fashion and sex is closely bound up with sexual self-expression. It demonstrates how the use of the corset rejected the role of the passive, maternal woman, so that in Victorian times it was seen as a scandalous threat to the social order.


Book Synopsis Fashion and Fetishism by : David Kunzle

Download or read book Fashion and Fetishism written by David Kunzle and published by The History Press. This book was released on 2006-08-24 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the history of corsetry and body sculpture, this edition shows how the relationship between fashion and sex is closely bound up with sexual self-expression. It demonstrates how the use of the corset rejected the role of the passive, maternal woman, so that in Victorian times it was seen as a scandalous threat to the social order.

Relics of Death in Victorian Literature and Culture

Relics of Death in Victorian Literature and Culture

Author: Deborah Lutz

Publisher: Cambridge University Press

Published: 2015-01-15

Total Pages: 263

ISBN-13: 1316240711

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Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.


Book Synopsis Relics of Death in Victorian Literature and Culture by : Deborah Lutz

Download or read book Relics of Death in Victorian Literature and Culture written by Deborah Lutz and published by Cambridge University Press. This book was released on 2015-01-15 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

On Exhibit

On Exhibit

Author: Barbara J. Black

Publisher: University of Virginia Press

Published: 2000

Total Pages: 268

ISBN-13: 9780813918976

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Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.


Book Synopsis On Exhibit by : Barbara J. Black

Download or read book On Exhibit written by Barbara J. Black and published by University of Virginia Press. This book was released on 2000 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.

Victorian Skin

Victorian Skin

Author: Pamela K. Gilbert

Publisher: Cornell University Press

Published: 2019-03-15

Total Pages: 614

ISBN-13: 1501731610

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In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.


Book Synopsis Victorian Skin by : Pamela K. Gilbert

Download or read book Victorian Skin written by Pamela K. Gilbert and published by Cornell University Press. This book was released on 2019-03-15 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.

Feminist Postcolonial Theory

Feminist Postcolonial Theory

Author: Reina Lewis

Publisher: Taylor & Francis

Published: 2003

Total Pages: 772

ISBN-13: 9780415942751

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


Book Synopsis Feminist Postcolonial Theory by : Reina Lewis

Download or read book Feminist Postcolonial Theory written by Reina Lewis and published by Taylor & Francis. This book was released on 2003 with total page 772 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.