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This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
Book Synopsis Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries by : Robin Stowell
Download or read book Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries written by Robin Stowell and published by Cambridge University Press. This book was released on 1990-07-27 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
What are the key topics that define Romantic violin playing?
Book Synopsis Romantic Violin Performing Practices by : David Milsom
Download or read book Romantic Violin Performing Practices written by David Milsom and published by Boydell & Brewer. This book was released on 2020 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the key topics that define Romantic violin playing?
Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.
Book Synopsis Nineteenth-Century British Music Studies by : Bennett Zon
Download or read book Nineteenth-Century British Music Studies written by Bennett Zon and published by Routledge. This book was released on 2019-05-23 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Book Synopsis The Cambridge History of Nineteenth-Century Music by : Jim Samson
Download or read book The Cambridge History of Nineteenth-Century Music written by Jim Samson and published by Cambridge University Press. This book was released on 2001-12-03 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
First published in 2004, this book demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Taking a predominantly historical approach, the book moves from a discussion of general developments and issues to a detailed examination of violin pedagogy, method and content, which indicates society’s influence on cultural trends and informs the discussion of other instruments and institutional training that follows. In the first study of its kind, it examines in depth the inextricable links between trends in society, education and levels of achievement. It also extends beyond profession and ‘art’ music to amateur and ‘popular’ spheres. A useful chronology of developments in nineteenth-century British music education is also included. This book will be of interest to those studying the history of instrumental teaching and Victorian music.
Book Synopsis Instrumental Teaching in Nineteenth-Century Britain by : David Golby
Download or read book Instrumental Teaching in Nineteenth-Century Britain written by David Golby and published by Routledge. This book was released on 2016-06-17 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004, this book demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Taking a predominantly historical approach, the book moves from a discussion of general developments and issues to a detailed examination of violin pedagogy, method and content, which indicates society’s influence on cultural trends and informs the discussion of other instruments and institutional training that follows. In the first study of its kind, it examines in depth the inextricable links between trends in society, education and levels of achievement. It also extends beyond profession and ‘art’ music to amateur and ‘popular’ spheres. A useful chronology of developments in nineteenth-century British music education is also included. This book will be of interest to those studying the history of instrumental teaching and Victorian music.
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Book Synopsis Authenticity in Performance: Eighteenth-Century Case Studies by : Peter Le Huray
Download or read book Authenticity in Performance: Eighteenth-Century Case Studies written by Peter Le Huray and published by CUP Archive. This book was released on 1990-11-22 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
Book Synopsis Playing the Cello, 1780–1930 by : George Kennaway
Download or read book Playing the Cello, 1780–1930 written by George Kennaway and published by Routledge. This book was released on 2016-04-22 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
A 1999 overview of historical performance, surveying issues and suggesting future developments.
Book Synopsis The Historical Performance of Music by : Colin Lawson
Download or read book The Historical Performance of Music written by Colin Lawson and published by Cambridge University Press. This book was released on 1999-11-11 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 1999 overview of historical performance, surveying issues and suggesting future developments.
Music from the late eighteenth and early nineteenth century is a central part of the singer's repertoire today, but until now no book has addressed the principles which governed song performance at the time this music was written. Robert Toft describes these principles in detail and places them in a broad cultural perspective. He shows that singing in the period was closely allied with speaking, drawing on many of the same performance techniques, including emphasis, accent, tone of voice, pauses, and gestures. He also shows how modern singers can use this historical background to move and delight modern audiences.
Book Synopsis Heart to Heart by : Robert Toft
Download or read book Heart to Heart written by Robert Toft and published by Oxford : Oxford University Press. This book was released on 2000 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music from the late eighteenth and early nineteenth century is a central part of the singer's repertoire today, but until now no book has addressed the principles which governed song performance at the time this music was written. Robert Toft describes these principles in detail and places them in a broad cultural perspective. He shows that singing in the period was closely allied with speaking, drawing on many of the same performance techniques, including emphasis, accent, tone of voice, pauses, and gestures. He also shows how modern singers can use this historical background to move and delight modern audiences.
A captivating look at how musical temperament evolved, and how we could (and perhaps should) be tuning differently today.
Book Synopsis How Equal Temperament Ruined Harmony (and why You Should Care) by : Ross W. Duffin
Download or read book How Equal Temperament Ruined Harmony (and why You Should Care) written by Ross W. Duffin and published by W. W. Norton & Company. This book was released on 2007 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: A captivating look at how musical temperament evolved, and how we could (and perhaps should) be tuning differently today.
