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Examines the impact of an ancient and prestigious text on medieval culture.
Book Synopsis Virgil in Medieval England by : Christopher Baswell
Download or read book Virgil in Medieval England written by Christopher Baswell and published by Cambridge University Press. This book was released on 2006-06-22 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the impact of an ancient and prestigious text on medieval culture.
English Humanism and the Reception of Virgil c. 1400-1550 reassesses how the spread of Renaissance humanism in England impacted the reception of Virgil. It begins with the first signs of humanist influence in the fifteenth century, and ends at the height of the English Renaissance during the mid-Tudor period. This period witnessed the first extant English translations of Virgil's Aeneid, by William Caxton (1490), Gavin Douglas (1513), and the Earl of Surrey (c. 1543). It also marked the first printings of Virgil's works in England by Richard Pynson (c. 1515) and Wynkyn de Worde (1510s-1520s). Through a fine-grained analysis of surviving manuscripts and early printed editions, Matthew Day questions how and to what extent Renaissance humanism impacted readers' and translators' approaches to Virgil. Building on current scholarship in the fields of book history, classical reception, and translation studies, it draws attention to substantial continuities between the medieval and humanist reception of Virgil's works. Humanist study of Virgil, and indeed of classical poetry more generally, continued to draw many of its aims, methods, and conventions from well-established medieval traditions of learning. In emphasizing the very gradual pace of humanist development and the continuous influence of medieval scholarship, the book comes to a more qualified view of how humanism did and (just as importantly) did not affect Virgilian reading and translation. While recognizing humanist innovations and discoveries, it gives due attention to the understudied, yet far more numerous examples of consistency and traditionalism.
Book Synopsis English Humanism and the Reception of Virgil C. 1400-1550 by : Matthew Day
Download or read book English Humanism and the Reception of Virgil C. 1400-1550 written by Matthew Day and published by Oxford University Press. This book was released on 2023-03 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Humanism and the Reception of Virgil c. 1400-1550 reassesses how the spread of Renaissance humanism in England impacted the reception of Virgil. It begins with the first signs of humanist influence in the fifteenth century, and ends at the height of the English Renaissance during the mid-Tudor period. This period witnessed the first extant English translations of Virgil's Aeneid, by William Caxton (1490), Gavin Douglas (1513), and the Earl of Surrey (c. 1543). It also marked the first printings of Virgil's works in England by Richard Pynson (c. 1515) and Wynkyn de Worde (1510s-1520s). Through a fine-grained analysis of surviving manuscripts and early printed editions, Matthew Day questions how and to what extent Renaissance humanism impacted readers' and translators' approaches to Virgil. Building on current scholarship in the fields of book history, classical reception, and translation studies, it draws attention to substantial continuities between the medieval and humanist reception of Virgil's works. Humanist study of Virgil, and indeed of classical poetry more generally, continued to draw many of its aims, methods, and conventions from well-established medieval traditions of learning. In emphasizing the very gradual pace of humanist development and the continuous influence of medieval scholarship, the book comes to a more qualified view of how humanism did and (just as importantly) did not affect Virgilian reading and translation. While recognizing humanist innovations and discoveries, it gives due attention to the understudied, yet far more numerous examples of consistency and traditionalism.
Book Synopsis Vergil in the Middle Ages by : Domenico Comparetti
Download or read book Vergil in the Middle Ages written by Domenico Comparetti and published by . This book was released on 1895 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.
Book Synopsis Virgil in the Renaissance by : David Scott Wilson-Okamura
Download or read book Virgil in the Renaissance written by David Scott Wilson-Okamura and published by Cambridge University Press. This book was released on 2010-08-12 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.
The first book-length study to articulate the vital presence of artisans and craft labor in medieval English literature from c.1000-1483.
Book Synopsis Artisans and Narrative Craft in Late Medieval England by : Lisa H. Cooper
Download or read book Artisans and Narrative Craft in Late Medieval England written by Lisa H. Cooper and published by Cambridge University Press. This book was released on 2011-03-10 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study to articulate the vital presence of artisans and craft labor in medieval English literature from c.1000-1483.
An exploration of the use of images in Middle English texts, tracing out what can be deduced of a theory of language.
Book Synopsis Images of Language in Middle English Vernacular Writings by : Kathy Cawsey
Download or read book Images of Language in Middle English Vernacular Writings written by Kathy Cawsey and published by Boydell & Brewer. This book was released on 2020 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the use of images in Middle English texts, tracing out what can be deduced of a theory of language.
The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.
Book Synopsis The Oxford History of Classical Reception in English Literature by : David Hopkins
Download or read book The Oxford History of Classical Reception in English Literature written by David Hopkins and published by Oxford University Press. This book was released on 2012 with total page 771 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.
The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.
Book Synopsis The Oxford History of Classical Reception in English Literature by : Rita Copeland
Download or read book The Oxford History of Classical Reception in English Literature written by Rita Copeland and published by Oxford University Press. This book was released on 2016-01-28 with total page 770 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.
The characteristic alliterative poem of the 14th and 15th centuries tells a story of incident and adventure: it is pre-eminently the poetry of narrative. Yet it is also, more than any other kind of medieval verse, remarkable for passages of vivid description, taking advantage of the extraordinary rich verbal resources of the alliterative poets and the characteristic strengths of the alliterative line. Memorable examples are the green chapel in Sir Gawain and the Green Knight, the storm at sea in Patience, the dream-landscape in Pearl, and the mysterious tomb in St Erkenwald; there are violent battle-scenes, descriptions of hunting and hawking, beautiful meadows and terrifying mountains, purling streams and wild rivers. Here is a seeming contradiction, or at least a tension that needs to be explored. The descriptive passages are digressions that interrupt the narrative; the story must pause to take in a visual effect. In Description and Narrative in Middle English Alliterative Poetry, Thorlac Turville-Petre explores this relationship between description and narrative, and the contribution of description to the narrative. Passages from all the major alliterative poems are analysed, and translated as necessary, so that the book may meet the needs of students as well as scholars familiar with the language and the topics discussed.
Book Synopsis Description and Narrative in Middle English Alliterative Poetry by : Thorlac Turville-Petre
Download or read book Description and Narrative in Middle English Alliterative Poetry written by Thorlac Turville-Petre and published by Exeter Medieval Texts and Stud. This book was released on 2018 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The characteristic alliterative poem of the 14th and 15th centuries tells a story of incident and adventure: it is pre-eminently the poetry of narrative. Yet it is also, more than any other kind of medieval verse, remarkable for passages of vivid description, taking advantage of the extraordinary rich verbal resources of the alliterative poets and the characteristic strengths of the alliterative line. Memorable examples are the green chapel in Sir Gawain and the Green Knight, the storm at sea in Patience, the dream-landscape in Pearl, and the mysterious tomb in St Erkenwald; there are violent battle-scenes, descriptions of hunting and hawking, beautiful meadows and terrifying mountains, purling streams and wild rivers. Here is a seeming contradiction, or at least a tension that needs to be explored. The descriptive passages are digressions that interrupt the narrative; the story must pause to take in a visual effect. In Description and Narrative in Middle English Alliterative Poetry, Thorlac Turville-Petre explores this relationship between description and narrative, and the contribution of description to the narrative. Passages from all the major alliterative poems are analysed, and translated as necessary, so that the book may meet the needs of students as well as scholars familiar with the language and the topics discussed.
Theorizing Legal Personhood in Late Medieval England is a collection of eleven essays that explore what might be distinctly medieval and particularly English about legal personhood vis-à-vis the jurisdictional pluralism of late medieval England. Spanning the mid-thirteenth to the mid-sixteenth centuries, the essays in this volume draw on common law, statute law, canon law and natural law in order to investigate emerging and shifting definitions of personhood at the confluence of legal and literary imaginations. These essays contribute new insights into the workings of specific literary texts and provide us with a better grasp of the cultural work of legal argument within the histories of ethics, of the self, and of Eurocentrism. Contributors are Valerie Allen, Candace Barrington, Conrad van Dijk, Toy Fung Tung, Helen Hickey, Andrew Hope, Jana Mathews, Anthony Musson, Eve Salisbury, Jamie Taylor and R.F. Yeager.
Book Synopsis Theorizing Legal Personhood in Late Medieval England by :
Download or read book Theorizing Legal Personhood in Late Medieval England written by and published by BRILL. This book was released on 2015-06-24 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorizing Legal Personhood in Late Medieval England is a collection of eleven essays that explore what might be distinctly medieval and particularly English about legal personhood vis-à-vis the jurisdictional pluralism of late medieval England. Spanning the mid-thirteenth to the mid-sixteenth centuries, the essays in this volume draw on common law, statute law, canon law and natural law in order to investigate emerging and shifting definitions of personhood at the confluence of legal and literary imaginations. These essays contribute new insights into the workings of specific literary texts and provide us with a better grasp of the cultural work of legal argument within the histories of ethics, of the self, and of Eurocentrism. Contributors are Valerie Allen, Candace Barrington, Conrad van Dijk, Toy Fung Tung, Helen Hickey, Andrew Hope, Jana Mathews, Anthony Musson, Eve Salisbury, Jamie Taylor and R.F. Yeager.
