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Piranesi Drawings

Author: Sarah Vowles

Publisher: National Geographic Books

Published: 2020-04-21

Total Pages: 0

ISBN-13: 0500480613

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A new exploration of Piranesi’s work as a draftsman, published to coincide with an exhibition at the British Museum. The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri (“Prisons”). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi’s celebrated skill as a draftsman. While many studies are concerned with Piranesi’s activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.

Book Synopsis Piranesi Drawings by : Sarah Vowles

Download or read book Piranesi Drawings written by Sarah Vowles and published by National Geographic Books. This book was released on 2020-04-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new exploration of Piranesi’s work as a draftsman, published to coincide with an exhibition at the British Museum. The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri (“Prisons”). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi’s celebrated skill as a draftsman. While many studies are concerned with Piranesi’s activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.

Visions of Antiquity

Author: Richard James Campbell

Publisher: University of Washington Press

Published: 1993

Total Pages: 358

ISBN-13:

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Book Synopsis Visions of Antiquity by : Richard James Campbell

Download or read book Visions of Antiquity written by Richard James Campbell and published by University of Washington Press. This book was released on 1993 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Visions of Eve

Author: Daphna Arbel

Publisher:

Published: 2022

Total Pages:

ISBN-13: 9783110311433

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Book Synopsis The Visions of Eve by : Daphna Arbel

Download or read book The Visions of Eve written by Daphna Arbel and published by . This book was released on 2022 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Happily Ever Ancient

Author: Irene J. Cisneros

Publisher:

Published: 2020

Total Pages: 212

ISBN-13: 9788416725328

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Book Synopsis Happily Ever Ancient by : Irene J. Cisneros

Download or read book Happily Ever Ancient written by Irene J. Cisneros and published by . This book was released on 2020 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Sight and the Ancient Senses

Author: Michael Squire

Publisher: Routledge

Published: 2015-12-22

Total Pages: 337

ISBN-13: 1317515382

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It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual backdrops that gave rise to ancient theories of seeing, from Archaic Greece through to the advent of Christianity in late antiquity. This series of specially commissioned thematic chapters demonstrate how theories about sight informed Graeco-Roman philosophy, science, poetry rhetoric and art. The collection also reaches beyond its Graeco-Roman visual framework, showcasing how ancient ideas have influenced the longue durée of western sensory thinking. Richly illustrated throughout, including a section of color plates, Sight and the Ancient Senses is a wide-ranging introduction to ancient theories of seeing which will be an invaluable resource for students and scholars of classical antiquity.

Book Synopsis Sight and the Ancient Senses by : Michael Squire

Download or read book Sight and the Ancient Senses written by Michael Squire and published by Routledge. This book was released on 2015-12-22 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual backdrops that gave rise to ancient theories of seeing, from Archaic Greece through to the advent of Christianity in late antiquity. This series of specially commissioned thematic chapters demonstrate how theories about sight informed Graeco-Roman philosophy, science, poetry rhetoric and art. The collection also reaches beyond its Graeco-Roman visual framework, showcasing how ancient ideas have influenced the longue durée of western sensory thinking. Richly illustrated throughout, including a section of color plates, Sight and the Ancient Senses is a wide-ranging introduction to ancient theories of seeing which will be an invaluable resource for students and scholars of classical antiquity.

Dreams and Experience in Classical Antiquity

Author: William V. Harris

Publisher: Harvard University Press

Published: 2009-06-15

Total Pages: 358

ISBN-13: 9780674032972

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From the Iliad to Aristophanes, from the gospel of Matthew to Augustine, Greek and Latin texts are constellated with images of dreams. This cultural history draws on contemporary post-Freudian science and careful critiques of the ancient texts. Harris reminds us of specificities, contexts, and changing attitudes through history.

Book Synopsis Dreams and Experience in Classical Antiquity by : William V. Harris

Download or read book Dreams and Experience in Classical Antiquity written by William V. Harris and published by Harvard University Press. This book was released on 2009-06-15 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Iliad to Aristophanes, from the gospel of Matthew to Augustine, Greek and Latin texts are constellated with images of dreams. This cultural history draws on contemporary post-Freudian science and careful critiques of the ancient texts. Harris reminds us of specificities, contexts, and changing attitudes through history.

Perspective in the Visual Culture of Classical Antiquity

Author: Rocco Sinisgalli

Publisher: Cambridge University Press

Published: 2012-09-17

Total Pages: 209

ISBN-13: 1139561162

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Linear perspective is a science that represents objects in space upon a plane, projecting them from a point of view. This concept was known in classical antiquity. In this book, Rocco Sinisgalli investigates theories of linear perspective in the classical era. Departing from the received understanding of perspective in the ancient world, he argues that ancient theories of perspective were primarily based on the study of objects in mirrors, rather than the study of optics and the workings of the human eye. In support of this argument, Sinisgalli analyzes, and offers new insights into, some of the key classical texts on this topic, including Euclid's De speculis, Lucretius' De rerum natura, Vitruvius' De architectura and Ptolemy's De opticis. Key concepts throughout the book are clarified and enhanced by detailed illustrations.

Book Synopsis Perspective in the Visual Culture of Classical Antiquity by : Rocco Sinisgalli

Download or read book Perspective in the Visual Culture of Classical Antiquity written by Rocco Sinisgalli and published by Cambridge University Press. This book was released on 2012-09-17 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Linear perspective is a science that represents objects in space upon a plane, projecting them from a point of view. This concept was known in classical antiquity. In this book, Rocco Sinisgalli investigates theories of linear perspective in the classical era. Departing from the received understanding of perspective in the ancient world, he argues that ancient theories of perspective were primarily based on the study of objects in mirrors, rather than the study of optics and the workings of the human eye. In support of this argument, Sinisgalli analyzes, and offers new insights into, some of the key classical texts on this topic, including Euclid's De speculis, Lucretius' De rerum natura, Vitruvius' De architectura and Ptolemy's De opticis. Key concepts throughout the book are clarified and enhanced by detailed illustrations.

Dreams in Late Antiquity

Author: Patricia Cox Miller

Publisher: Princeton University Press

Published: 1998-01-11

Total Pages: 292

ISBN-13: 9780691058351

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Centuries.... By studying together pagan and Christian dreams, Cox Miller hopes to reach a better understanding of some fundamental patterns of late antique culture. DLGuy G. Stroumsa, The Journal of Religion A fluent and discursive text.... This is an adventurous exploration of a range of material which deserves to be more widely known.DLGillian Clark, The Classical Review.

Book Synopsis Dreams in Late Antiquity by : Patricia Cox Miller

Download or read book Dreams in Late Antiquity written by Patricia Cox Miller and published by Princeton University Press. This book was released on 1998-01-11 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Centuries.... By studying together pagan and Christian dreams, Cox Miller hopes to reach a better understanding of some fundamental patterns of late antique culture. DLGuy G. Stroumsa, The Journal of Religion A fluent and discursive text.... This is an adventurous exploration of a range of material which deserves to be more widely known.DLGillian Clark, The Classical Review.

Gaze, Vision, and Visuality in Ancient Greek Literature

Author: Alexandros Kampakoglou

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-03-05

Total Pages: 535

ISBN-13: 311056906X

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Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.

Book Synopsis Gaze, Vision, and Visuality in Ancient Greek Literature by : Alexandros Kampakoglou

Download or read book Gaze, Vision, and Visuality in Ancient Greek Literature written by Alexandros Kampakoglou and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-03-05 with total page 535 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.

Envisioning Experience in Late Antiquity and the Middle Ages

Author: Dr Giselle de Nie

Publisher: Ashgate Publishing, Ltd.

Published: 2013-07-28

Total Pages: 268

ISBN-13: 1409483177

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Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.

Book Synopsis Envisioning Experience in Late Antiquity and the Middle Ages by : Dr Giselle de Nie

Download or read book Envisioning Experience in Late Antiquity and the Middle Ages written by Dr Giselle de Nie and published by Ashgate Publishing, Ltd.. This book was released on 2013-07-28 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.