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Offers a new conception of modernist autonomy by focusing on Wallace Stevens, one of the renowned poets of the twentieth century.
Book Synopsis Wallace Stevens and the Poetics of Modernist Autonomy by : Gül Bilge Han
Download or read book Wallace Stevens and the Poetics of Modernist Autonomy written by Gül Bilge Han and published by Cambridge University Press. This book was released on 2019-06-27 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a new conception of modernist autonomy by focusing on Wallace Stevens, one of the renowned poets of the twentieth century.
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
Book Synopsis The New Wallace Stevens Studies by : Bart Eeckhout
Download or read book The New Wallace Stevens Studies written by Bart Eeckhout and published by Cambridge University Press. This book was released on 2021-07-08 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
Book Synopsis "Distantly a Part": Wallace Stevens and the Poetics of Modernist Autonomy by : Gül Bilge Han
Download or read book "Distantly a Part": Wallace Stevens and the Poetics of Modernist Autonomy written by Gül Bilge Han and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Wallace Stevens and the Poetics of Modernist Autonomy presents a rethinking of modernist claims to autonomy by focusing on the work of Wallace Stevens, one of the most renowned poets of the twentieth century. By showing how multiple socio-political currents underlie and motivate Stevens' version of autonomy, the book challenges the commonly received accounts of the term as art and literature's escape from the world. It provides new and close readings of Stevens' work including poems from different stages of the poet's career. It re-energizes a tradition of historicist readings of Stevens from the 1980s and 1990s. The study of Stevens' work in this book is developed in constant dialogue with current studies in modernism and aesthetic theory, particularly those offered by Jacques Rancière and Alain Badiou. The book explores the question of autonomy in Stevens' exploration of the aesthetic and social domains, and the vexed issue of his poetry's relation to philosophical thinking.
Book Synopsis Wallace Stevens and the Poetics of Modernist Autonomy by : Gül Bilge Han
Download or read book Wallace Stevens and the Poetics of Modernist Autonomy written by Gül Bilge Han and published by Cambridge University Press. This book was released on 2019-06-27 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wallace Stevens and the Poetics of Modernist Autonomy presents a rethinking of modernist claims to autonomy by focusing on the work of Wallace Stevens, one of the most renowned poets of the twentieth century. By showing how multiple socio-political currents underlie and motivate Stevens' version of autonomy, the book challenges the commonly received accounts of the term as art and literature's escape from the world. It provides new and close readings of Stevens' work including poems from different stages of the poet's career. It re-energizes a tradition of historicist readings of Stevens from the 1980s and 1990s. The study of Stevens' work in this book is developed in constant dialogue with current studies in modernism and aesthetic theory, particularly those offered by Jacques Rancière and Alain Badiou. The book explores the question of autonomy in Stevens' exploration of the aesthetic and social domains, and the vexed issue of his poetry's relation to philosophical thinking.
This collection of critical essays considers the impact of New York City on the life and works of Wallace Stevens. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This book examines New York's influence at both the biographical and poetic levels, deepening our understanding of the poet.
Book Synopsis Wallace Stevens, New York, and Modernism by : Lisa Goldfarb
Download or read book Wallace Stevens, New York, and Modernism written by Lisa Goldfarb and published by Routledge. This book was released on 2012 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of critical essays considers the impact of New York City on the life and works of Wallace Stevens. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This book examines New York's influence at both the biographical and poetic levels, deepening our understanding of the poet.
In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.
Book Synopsis Wallace Stevens by : Albert Gelpi
Download or read book Wallace Stevens written by Albert Gelpi and published by Cambridge University Press. This book was released on 1990-05-25 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.
"This collection of essays examines the different lines that may be drawn between the work of Wallace Stevens and a wide range of poetry from the second half of the twentieth century up to the present moment"--
Book Synopsis Poetry and Poetics After Wallace Stevens by : Bart Eeckhout
Download or read book Poetry and Poetics After Wallace Stevens written by Bart Eeckhout and published by Bloomsbury Publishing USA. This book was released on 2016-11-17 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection of essays examines the different lines that may be drawn between the work of Wallace Stevens and a wide range of poetry from the second half of the twentieth century up to the present moment"--
A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
Book Synopsis Modernism from Right to Left by : Alan Filreis
Download or read book Modernism from Right to Left written by Alan Filreis and published by Cambridge University Press. This book was released on 1994-07-29 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Book Synopsis Wallace Stevens and the Realities of Poetic Language by : Stefan Holander
Download or read book Wallace Stevens and the Realities of Poetic Language written by Stefan Holander and published by Routledge. This book was released on 2008-02-19 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
Book Synopsis Wallace Stevens and the Aesthetics of Abstraction by : Edward Ragg
Download or read book Wallace Stevens and the Aesthetics of Abstraction written by Edward Ragg and published by Cambridge University Press. This book was released on 2010-07-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
