Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China

Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China

Author: Li Guo

Publisher: Purdue University Press

Published: 2015-07-15

Total Pages: 246

ISBN-13: 1612493823

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In Women’s Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women’s tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women’s tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men’s equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women’s potentialities to transform historical and social customs in order to engender a world with better prospects for women.


Book Synopsis Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China by : Li Guo

Download or read book Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China written by Li Guo and published by Purdue University Press. This book was released on 2015-07-15 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Women’s Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women’s tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women’s tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men’s equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women’s potentialities to transform historical and social customs in order to engender a world with better prospects for women.

Writing Gender in Early Modern Chinese Women's Tanci Fiction

Writing Gender in Early Modern Chinese Women's Tanci Fiction

Author: Li Guo

Publisher: Purdue University Press

Published: 2021-06-15

Total Pages: 298

ISBN-13: 1612496601

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Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women’s Tanci Fiction offers a timely study on early modern Chinese women’s representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest. Women tanci authors’ redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals of heroism. They establish a realistic tenor in affirming feminine domestic authority, and open up spaces for discussions of “womanly becoming,” female exceptionalism, and shifting family power structures. The vernacular mode underlying these texts yields productive possibilities of gendered self-representations, bodily valences, and dynamic performances of sexual roles. The result is a vernacular discursive frame that enables women’s appropriation and refashioning of orthodox moral values as means of self-affirmation and self-realization. Validations of women’s political activism and loyalism to the nation attest to tanci as a premium vehicle for disseminating progressive social incentives to popular audiences. Women’s tanci marks early modern writers’ endeavors to carve out a space of feminine becoming, a discursive arena of feminine appropriation, reinvention, and boundary-crossings. In this light, women’s tanci portrays gendered mobility through depictions of a heroine’s voyages or social ascent, and entails a forward-moving historical progression toward a more autonomous and vested model of feminine subjectivity.


Book Synopsis Writing Gender in Early Modern Chinese Women's Tanci Fiction by : Li Guo

Download or read book Writing Gender in Early Modern Chinese Women's Tanci Fiction written by Li Guo and published by Purdue University Press. This book was released on 2021-06-15 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women’s Tanci Fiction offers a timely study on early modern Chinese women’s representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest. Women tanci authors’ redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals of heroism. They establish a realistic tenor in affirming feminine domestic authority, and open up spaces for discussions of “womanly becoming,” female exceptionalism, and shifting family power structures. The vernacular mode underlying these texts yields productive possibilities of gendered self-representations, bodily valences, and dynamic performances of sexual roles. The result is a vernacular discursive frame that enables women’s appropriation and refashioning of orthodox moral values as means of self-affirmation and self-realization. Validations of women’s political activism and loyalism to the nation attest to tanci as a premium vehicle for disseminating progressive social incentives to popular audiences. Women’s tanci marks early modern writers’ endeavors to carve out a space of feminine becoming, a discursive arena of feminine appropriation, reinvention, and boundary-crossings. In this light, women’s tanci portrays gendered mobility through depictions of a heroine’s voyages or social ascent, and entails a forward-moving historical progression toward a more autonomous and vested model of feminine subjectivity.

Women's Tanci Fiction in Late Imperial and Early Twentieth-century China

Women's Tanci Fiction in Late Imperial and Early Twentieth-century China

Author: Li Guo

Publisher: Purdue University Press

Published: 2015

Total Pages: 246

ISBN-13: 1557537135

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In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci). She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a "feminine" representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of "woman-oriented perspective" and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women."This work will be a significant contribution to scholarship. Chinese women's tanci novels in late imperial Qing and early twentieth-century China are numerous in collections; however, their scholarly studies are still insufficient. This book covers some understudied tanci texts and sheds new insights in the studied area. It also brings in association study with other Chinese writing genres during the late Qing period, as well as comparative perspective within the world culture when possible." Qingyun Wu, California State University, Los Angeles


Book Synopsis Women's Tanci Fiction in Late Imperial and Early Twentieth-century China by : Li Guo

Download or read book Women's Tanci Fiction in Late Imperial and Early Twentieth-century China written by Li Guo and published by Purdue University Press. This book was released on 2015 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci). She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a "feminine" representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of "woman-oriented perspective" and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women."This work will be a significant contribution to scholarship. Chinese women's tanci novels in late imperial Qing and early twentieth-century China are numerous in collections; however, their scholarly studies are still insufficient. This book covers some understudied tanci texts and sheds new insights in the studied area. It also brings in association study with other Chinese writing genres during the late Qing period, as well as comparative perspective within the world culture when possible." Qingyun Wu, California State University, Los Angeles

Tales of Self Empowerment

Tales of Self Empowerment

Author: Li Guo

Publisher:

Published: 2010

Total Pages: 291

ISBN-13:

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This dissertation has examined the narrative genre of tanci in late imperial China while keeping a close eye on the theme of women's self-empowerment. I have analyzed three voluminous tanci works, Destiny of rebirth; Dream, image, destiny; and A histoire of heroic women and men, respectively published in the 18th, 19th and early 20th century. I have proposed that these tanci works, by depicting women's crossdressing, self-portraits, and homoerotic sensitivities, presented a transgressive potential to disrupt dominant social and cultural discourses of womanhood in late imperial China. Particularly, tanci works present women who leave their cloistered lives and travel while crossdressed as men. These women are the very opposite of the Confucian feminine ideal (the filial, chaste, and obedient woman who follows the prescribed codes required of a daughter, wife, and widow). Writing such challenging stories was itself a transgressive act for late imperial women authors, whose literary practices were under strict social regulation in the patriarchal society. For women readers of the time and for those of the contemporary period, reading these stories was and is an empowering experience. By identifying with the heroic protagonists, historical and contemporary readers alike may be inspired to envision a life of autonomy and freedom outside the domestic space. Tanci works, I propose, validate women in their immediate historical and cultural landscapes and project rich possibilities for women to reform social reality. The historical task of contemporary readers of tanci is therefore three-fold: to retrieve the voices of earlier authors from obscurity, to empower themselves with the help of these voices, and to integrate the predecessors' insights into a vision of new possibilities of social change.


Book Synopsis Tales of Self Empowerment by : Li Guo

Download or read book Tales of Self Empowerment written by Li Guo and published by . This book was released on 2010 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation has examined the narrative genre of tanci in late imperial China while keeping a close eye on the theme of women's self-empowerment. I have analyzed three voluminous tanci works, Destiny of rebirth; Dream, image, destiny; and A histoire of heroic women and men, respectively published in the 18th, 19th and early 20th century. I have proposed that these tanci works, by depicting women's crossdressing, self-portraits, and homoerotic sensitivities, presented a transgressive potential to disrupt dominant social and cultural discourses of womanhood in late imperial China. Particularly, tanci works present women who leave their cloistered lives and travel while crossdressed as men. These women are the very opposite of the Confucian feminine ideal (the filial, chaste, and obedient woman who follows the prescribed codes required of a daughter, wife, and widow). Writing such challenging stories was itself a transgressive act for late imperial women authors, whose literary practices were under strict social regulation in the patriarchal society. For women readers of the time and for those of the contemporary period, reading these stories was and is an empowering experience. By identifying with the heroic protagonists, historical and contemporary readers alike may be inspired to envision a life of autonomy and freedom outside the domestic space. Tanci works, I propose, validate women in their immediate historical and cultural landscapes and project rich possibilities for women to reform social reality. The historical task of contemporary readers of tanci is therefore three-fold: to retrieve the voices of earlier authors from obscurity, to empower themselves with the help of these voices, and to integrate the predecessors' insights into a vision of new possibilities of social change.

Interfamily Tanci Writing in Nineteenth-Century China

Interfamily Tanci Writing in Nineteenth-Century China

Author: Yu Zhang

Publisher: Lexington Books

Published: 2017-12-13

Total Pages: 271

ISBN-13: 1498557864

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Employing an interdisciplinary approach, this is the first monograph to frame three once widely-read tanci fiction (a type of lyrical narrative) from nineteenth-century China, Meng ying yuan (1843), Yu xuan cao (1894), and Jing zhong zhuan (1895), as interrelated texts composed by three generation of members from one extended gentry family in South China. Based on the framework of family bonds, this book uses the three tanci works, authored by a mother, her daughter, and a nephew, to examine the history of how the changing aesthetics of tanci developed over China’s turbulent nineteenth century. It also demonstrates how the three writers used the genre of tanci to blur the boundaries of orthodox Confucian norms, in order to depict the evolving nature of gendered power relations at the dawn of China’s modernity.


Book Synopsis Interfamily Tanci Writing in Nineteenth-Century China by : Yu Zhang

Download or read book Interfamily Tanci Writing in Nineteenth-Century China written by Yu Zhang and published by Lexington Books. This book was released on 2017-12-13 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing an interdisciplinary approach, this is the first monograph to frame three once widely-read tanci fiction (a type of lyrical narrative) from nineteenth-century China, Meng ying yuan (1843), Yu xuan cao (1894), and Jing zhong zhuan (1895), as interrelated texts composed by three generation of members from one extended gentry family in South China. Based on the framework of family bonds, this book uses the three tanci works, authored by a mother, her daughter, and a nephew, to examine the history of how the changing aesthetics of tanci developed over China’s turbulent nineteenth century. It also demonstrates how the three writers used the genre of tanci to blur the boundaries of orthodox Confucian norms, in order to depict the evolving nature of gendered power relations at the dawn of China’s modernity.

Imagining Sisterhood in Modern Chinese Texts, 1890–1937

Imagining Sisterhood in Modern Chinese Texts, 1890–1937

Author: Yun Zhu

Publisher: Rowman & Littlefield

Published: 2017-03-16

Total Pages: 237

ISBN-13: 1498536301

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This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”


Book Synopsis Imagining Sisterhood in Modern Chinese Texts, 1890–1937 by : Yun Zhu

Download or read book Imagining Sisterhood in Modern Chinese Texts, 1890–1937 written by Yun Zhu and published by Rowman & Littlefield. This book was released on 2017-03-16 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”

A World History of Chinese Literature

A World History of Chinese Literature

Author: Yingjin Zhang

Publisher: Taylor & Francis

Published: 2023-07-25

Total Pages: 553

ISBN-13: 1000895068

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Providing a broad introduction to the area, A World History of Chinese Literature maps the field of Chinese literature across its various worlds, looking both within – at the world of Chinese literature, its history, linguistic, cultural, local, and regional specificities – and without – at the way Chinese literature has circulated throughout the world. The thematic focus allows for a broad number of key categories, such as authors, genres, genders, regions, as well as innovative explorations of new topics and issues such as inter-arts performativity and transmediation. The sections cover the circulation and reception of China in world literature, as well as the worlds of: Chinese literature across the globe Borders, oceans, and rainforests Comparative literary genres Translingual writers and scholars Gender configurations Translation and transmediation With a focus on the twentieth and twenty-first century, this collection intervenes in current debates on global Chinese literature, Sinophone and Sinoscript studies, and the production and reception of literary works by ethnic Chinese in non-Sinitic languages, as well as Anglophone literature inspired by Chinese literary tradition. It will be of interest to anyone working on or studying Chinese literature, language and culture, as well as world literatures in relation to China.


Book Synopsis A World History of Chinese Literature by : Yingjin Zhang

Download or read book A World History of Chinese Literature written by Yingjin Zhang and published by Taylor & Francis. This book was released on 2023-07-25 with total page 553 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a broad introduction to the area, A World History of Chinese Literature maps the field of Chinese literature across its various worlds, looking both within – at the world of Chinese literature, its history, linguistic, cultural, local, and regional specificities – and without – at the way Chinese literature has circulated throughout the world. The thematic focus allows for a broad number of key categories, such as authors, genres, genders, regions, as well as innovative explorations of new topics and issues such as inter-arts performativity and transmediation. The sections cover the circulation and reception of China in world literature, as well as the worlds of: Chinese literature across the globe Borders, oceans, and rainforests Comparative literary genres Translingual writers and scholars Gender configurations Translation and transmediation With a focus on the twentieth and twenty-first century, this collection intervenes in current debates on global Chinese literature, Sinophone and Sinoscript studies, and the production and reception of literary works by ethnic Chinese in non-Sinitic languages, as well as Anglophone literature inspired by Chinese literary tradition. It will be of interest to anyone working on or studying Chinese literature, language and culture, as well as world literatures in relation to China.

Discourses of Weakness in Modern China

Discourses of Weakness in Modern China

Author: Iwo Amelung

Publisher: Campus Verlag

Published: 2020-06-24

Total Pages: 587

ISBN-13: 359343895X

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Die Vorstellung, China sei ein "schwacher Staat", der in einer zunehmend darwinistisch konzipierten Welt nicht konkurrenzfähig sei, beherrschte vom Ende des 19. Jahrhunderts, besonders seit dem verlorenen Krieg gegen Japan (1894/95), bis in die 1930er-Jahre den politischen Diskurs in China selbst wie auch in anderen Ländern der Welt. Der Band zeichnet diese "Untergangsgeschichte" des "kranken Mannes Asiens" nach und hilft somit, das Selbstverständnis und die Identität des heutigen China zu verstehen.


Book Synopsis Discourses of Weakness in Modern China by : Iwo Amelung

Download or read book Discourses of Weakness in Modern China written by Iwo Amelung and published by Campus Verlag. This book was released on 2020-06-24 with total page 587 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die Vorstellung, China sei ein "schwacher Staat", der in einer zunehmend darwinistisch konzipierten Welt nicht konkurrenzfähig sei, beherrschte vom Ende des 19. Jahrhunderts, besonders seit dem verlorenen Krieg gegen Japan (1894/95), bis in die 1930er-Jahre den politischen Diskurs in China selbst wie auch in anderen Ländern der Welt. Der Band zeichnet diese "Untergangsgeschichte" des "kranken Mannes Asiens" nach und hilft somit, das Selbstverständnis und die Identität des heutigen China zu verstehen.

Orthodox Passions

Orthodox Passions

Author: Maram Epstein

Publisher: BRILL

Published: 2021-02-01

Total Pages: 384

ISBN-13: 1684176069

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In this groundbreaking interdisciplinary study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. At a time when Manchu regulations made chastity the primary metaphor for obedience and social duty, filial discourse increasingly embraced the dramatic and passionate excesses associated with late-Ming chastity narratives. Qing texts, especially those from the Jiangnan region, celebrate modes of filial piety that conflicted with the interests of the patriarchal family and the state. Analyzing filial narratives from a wide range of primary texts, including local gazetteers, autobiographical and biographical nianpu records, and fiction, Epstein shows the diversity of acts constituting exemplary filial piety. This context, Orthodox Passions argues, enables a radical rereading of the great novel of manners The Story of the Stone (ca. 1760), whose absence of filial affections and themes make it an outlier in the eighteenth-century sentimental landscape. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.


Book Synopsis Orthodox Passions by : Maram Epstein

Download or read book Orthodox Passions written by Maram Epstein and published by BRILL. This book was released on 2021-02-01 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking interdisciplinary study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. At a time when Manchu regulations made chastity the primary metaphor for obedience and social duty, filial discourse increasingly embraced the dramatic and passionate excesses associated with late-Ming chastity narratives. Qing texts, especially those from the Jiangnan region, celebrate modes of filial piety that conflicted with the interests of the patriarchal family and the state. Analyzing filial narratives from a wide range of primary texts, including local gazetteers, autobiographical and biographical nianpu records, and fiction, Epstein shows the diversity of acts constituting exemplary filial piety. This context, Orthodox Passions argues, enables a radical rereading of the great novel of manners The Story of the Stone (ca. 1760), whose absence of filial affections and themes make it an outlier in the eighteenth-century sentimental landscape. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.

Woman Rules Within

Woman Rules Within

Author: Jessica Dvorak Moyer

Publisher: BRILL

Published: 2020-08-17

Total Pages: 236

ISBN-13: 9004437924

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In Woman Rules Within: Domestic Space and Genre in Qing Vernacular Literature, Jessica Dvorak Moyer compares depictions of women and the household in texts across a range of late imperial genres, offering a new understanding of vernacularization in Qing literature.


Book Synopsis Woman Rules Within by : Jessica Dvorak Moyer

Download or read book Woman Rules Within written by Jessica Dvorak Moyer and published by BRILL. This book was released on 2020-08-17 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Woman Rules Within: Domestic Space and Genre in Qing Vernacular Literature, Jessica Dvorak Moyer compares depictions of women and the household in texts across a range of late imperial genres, offering a new understanding of vernacularization in Qing literature.