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As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists have become recognizable cultural icons through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to each vibrant performance genre, emphasizing the role of seventeenth-century publishing.
Book Synopsis Wondrous Brutal Fictions by :
Download or read book Wondrous Brutal Fictions written by and published by Columbia University Press. This book was released on 2013-04-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists have become recognizable cultural icons through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to each vibrant performance genre, emphasizing the role of seventeenth-century publishing.
Wondrous Brutal Fictions presents eight seminal works from the seventeenth-century Japanese sekkyo and ko-joruri puppet theaters, many translated into English for the first time. Both poignant and disturbing, they range from stories of cruelty and brutality to tales of love, charity, and outstanding filial devotion, representing the best of early Edo-period literary and performance traditions and acting as important precursors to the Bunraku and Kabuki styles of theater. As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists are cultural icons, recognizable through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to these vibrant performance genres, emphasizing the role of seventeenth-century publishing in their spread. He also details six major sekkyo chanters and their playbooks, filling a crucial scholarly gap in early Edo-period theater. More than fifty reproductions of mostly seventeenth-century woodblock illustrations offer rich, visual foundations for the critical introduction and translated tales. Ideal for students and scholars of medieval and early modern Japanese literature, theater, and Buddhism, this collection provides an unprecedented encounter with popular Buddhist drama and its far-reaching impact on literature and culture.
Book Synopsis Wondrous Brutal Fictions by :
Download or read book Wondrous Brutal Fictions written by and published by Columbia University Press. This book was released on 2013-04-09 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wondrous Brutal Fictions presents eight seminal works from the seventeenth-century Japanese sekkyo and ko-joruri puppet theaters, many translated into English for the first time. Both poignant and disturbing, they range from stories of cruelty and brutality to tales of love, charity, and outstanding filial devotion, representing the best of early Edo-period literary and performance traditions and acting as important precursors to the Bunraku and Kabuki styles of theater. As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists are cultural icons, recognizable through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to these vibrant performance genres, emphasizing the role of seventeenth-century publishing in their spread. He also details six major sekkyo chanters and their playbooks, filling a crucial scholarly gap in early Edo-period theater. More than fifty reproductions of mostly seventeenth-century woodblock illustrations offer rich, visual foundations for the critical introduction and translated tales. Ideal for students and scholars of medieval and early modern Japanese literature, theater, and Buddhism, this collection provides an unprecedented encounter with popular Buddhist drama and its far-reaching impact on literature and culture.
Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.
Book Synopsis Monsters, Animals, and Other Worlds by : Keller Kimbrough
Download or read book Monsters, Animals, and Other Worlds written by Keller Kimbrough and published by Columbia University Press. This book was released on 2018-02-20 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.
Winner of: The Pulitzer Prize The National Book Critics Circle Award The Anisfield-Wolf Book Award The Jon Sargent, Sr. First Novel Prize A Time Magazine #1 Fiction Book of the Year One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more... Nominated as one of America’s best-loved novels by PBS’s The Great American Read Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love.
Book Synopsis The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner) by : Junot Díaz
Download or read book The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner) written by Junot Díaz and published by Penguin. This book was released on 2008-09-02 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of: The Pulitzer Prize The National Book Critics Circle Award The Anisfield-Wolf Book Award The Jon Sargent, Sr. First Novel Prize A Time Magazine #1 Fiction Book of the Year One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more... Nominated as one of America’s best-loved novels by PBS’s The Great American Read Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love.
A guide to Buddhism’s rich variety of traditions and cultural expressions for educators who would like to include Buddhism in their undergraduate courses. Over its long history, Buddhism has never been a simple monolithic phenomenon, but rather a complex living tradition—or better, a family of traditions—continually shaped by and shaping a vast array of social, economic, political, literary, and aesthetic contexts across East Asia, South Asia, and Southeast Asia. Written by undergraduate educators, Buddhisms in Asia offers a guide to Buddhism’s rich variety of traditions and cultural expressions for educators who would like to include Buddhism in their undergraduate courses. It introduces fundamental yet often underrepresented Buddhist texts, concepts, and material in their historical contexts; presents the major “ecologies” of Buddhist belief, practice, and cultural expression; and provides methodological insights regarding how best to infuse Buddhist content into undergraduate courses in the humanities and social sciences. The text aims to represent “Buddhisms” by approaching the subject from a broad range of disciplinary perspectives, including art history, anthropology, history, literature, philosophy, religious studies, and pedagogy. “I teach an introductory course on Buddhism on a regular basis, and every single chapter of this book gave me ideas for materials I could incorporate, new modules I might develop, and/or better ways I might organize and present existing content to students. I think that the book will be particularly useful to educators in Asian studies who are not themselves specialized in areas of Buddhism or religion. The collection gives them the information on Buddhist philosophy, doctrine, and practice that they would need to better incorporate the role of Buddhism into classes on Asian culture, history, society, and politics.” — Leah Kalmanson, coeditor of Buddhist Responses to Globalization
Book Synopsis Buddhisms in Asia by : Nicholas S. Brasovan
Download or read book Buddhisms in Asia written by Nicholas S. Brasovan and published by SUNY Press. This book was released on 2019-09-01 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to Buddhism’s rich variety of traditions and cultural expressions for educators who would like to include Buddhism in their undergraduate courses. Over its long history, Buddhism has never been a simple monolithic phenomenon, but rather a complex living tradition—or better, a family of traditions—continually shaped by and shaping a vast array of social, economic, political, literary, and aesthetic contexts across East Asia, South Asia, and Southeast Asia. Written by undergraduate educators, Buddhisms in Asia offers a guide to Buddhism’s rich variety of traditions and cultural expressions for educators who would like to include Buddhism in their undergraduate courses. It introduces fundamental yet often underrepresented Buddhist texts, concepts, and material in their historical contexts; presents the major “ecologies” of Buddhist belief, practice, and cultural expression; and provides methodological insights regarding how best to infuse Buddhist content into undergraduate courses in the humanities and social sciences. The text aims to represent “Buddhisms” by approaching the subject from a broad range of disciplinary perspectives, including art history, anthropology, history, literature, philosophy, religious studies, and pedagogy. “I teach an introductory course on Buddhism on a regular basis, and every single chapter of this book gave me ideas for materials I could incorporate, new modules I might develop, and/or better ways I might organize and present existing content to students. I think that the book will be particularly useful to educators in Asian studies who are not themselves specialized in areas of Buddhism or religion. The collection gives them the information on Buddhist philosophy, doctrine, and practice that they would need to better incorporate the role of Buddhism into classes on Asian culture, history, society, and politics.” — Leah Kalmanson, coeditor of Buddhist Responses to Globalization
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Book Synopsis A History of Japanese Theatre by : Jonah Salz
Download or read book A History of Japanese Theatre written by Jonah Salz and published by Cambridge University Press. This book was released on 2016-07-14 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.
Book Synopsis The Japanese Buddhist World Map by : D. Max Moerman
Download or read book The Japanese Buddhist World Map written by D. Max Moerman and published by University of Hawaii Press. This book was released on 2021-12-31 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.
Japanese zuihitsu (essays) offer a treasure trove of information and insights rarely found in any other genre of Japanese writing. Especially during their golden age, the Edo period (1600–1868), zuihitsu treated a great variety of subjects. In the pages of a typical zuihitsu the reader encountered facts and opinions on everything from martial arts to music, food to fashions, dragons to drama—much of it written casually and seemingly without concern for form or order. The seven zuihitsu translated and annotated in this volume date from the early seventeenth to the late nineteenth centuries. Some of the essays are famous while others are less well known, but none have been published in their entirety in any Western language. Following a substantial introduction outlining the development of the genre, “Tales That Come to Mind” is an early seventeenth-century account of Edo kabuki theater and the Yoshiwara “pleasure quarters” penned by a Buddhist monk. “A Record of Seven Offered Treasures,” composed by a retired samurai-monk near the end of the seventeenth century, starts as a treatise on the proper education of youth but ends as a critique of the author’s own life and moral failings. Perhaps the most famous piece in the volume, “Monologue,” was drafted by the renowned Confucianist Dazai Shundai, a keen and insightful observer of life during the late seventeenth and early eighteenth centuries. Dazai treats, in turn, poetry, the tea ceremony, comic verse, music, theater, and fashion. “Idle Talk of Nagasaki” is an entertaining record of a journey to Nagasaki by a group of Confucianists in the early eighteenth century. In “Kyoto Observed,” a mid-eighteenth-century Edo resident compares the shogun’s and the emperor’s capital in a series of brief vignettes. An 1814 zuihitsu classic written by a physician, “A Dustheap of Discourses” presents another colorful mosaic of topics related to life in Edo. The book closes with “The Breezes of Osaka,” a lively essay by a highly cultured Edo administrator contrasting the food, life, and culture of his hometown with that of Osaka, where he briefly served as mayor in the 1850s.
Book Synopsis The Land We Saw, the Times We Knew by : Gerald Groemer
Download or read book The Land We Saw, the Times We Knew written by Gerald Groemer and published by University of Hawaii Press. This book was released on 2018-11-30 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japanese zuihitsu (essays) offer a treasure trove of information and insights rarely found in any other genre of Japanese writing. Especially during their golden age, the Edo period (1600–1868), zuihitsu treated a great variety of subjects. In the pages of a typical zuihitsu the reader encountered facts and opinions on everything from martial arts to music, food to fashions, dragons to drama—much of it written casually and seemingly without concern for form or order. The seven zuihitsu translated and annotated in this volume date from the early seventeenth to the late nineteenth centuries. Some of the essays are famous while others are less well known, but none have been published in their entirety in any Western language. Following a substantial introduction outlining the development of the genre, “Tales That Come to Mind” is an early seventeenth-century account of Edo kabuki theater and the Yoshiwara “pleasure quarters” penned by a Buddhist monk. “A Record of Seven Offered Treasures,” composed by a retired samurai-monk near the end of the seventeenth century, starts as a treatise on the proper education of youth but ends as a critique of the author’s own life and moral failings. Perhaps the most famous piece in the volume, “Monologue,” was drafted by the renowned Confucianist Dazai Shundai, a keen and insightful observer of life during the late seventeenth and early eighteenth centuries. Dazai treats, in turn, poetry, the tea ceremony, comic verse, music, theater, and fashion. “Idle Talk of Nagasaki” is an entertaining record of a journey to Nagasaki by a group of Confucianists in the early eighteenth century. In “Kyoto Observed,” a mid-eighteenth-century Edo resident compares the shogun’s and the emperor’s capital in a series of brief vignettes. An 1814 zuihitsu classic written by a physician, “A Dustheap of Discourses” presents another colorful mosaic of topics related to life in Edo. The book closes with “The Breezes of Osaka,” a lively essay by a highly cultured Edo administrator contrasting the food, life, and culture of his hometown with that of Osaka, where he briefly served as mayor in the 1850s.
In a tradition extending from the medieval era to the early twentieth century, visually disabled Japanese women known as goze toured the countryside as professional singers. An integral part of rural musical culture, the goze sang unique narratives of their own making and a significant repertory of popular ballads and short songs. Goze activities peaked in the nineteenth century, and some women continued to tour well into the middle of the twentieth. The last active goze lived until 2005. In Goze: Women, Musical Performance, and Visual Disability in Traditional Japan, Gerald Groemer examines the way of life, institutions, and songs of these itinerant performers. Groemer shows that the solidarity and success goze achieved with the rural public through narrative and music was based on the convergence of the goze's desire for a degree of social and economic autonomy with the audience's wish to mitigate the cultural deprivation it so often experienced. Goze recognized audiences as a stimulus for developing repertories and careers; the public in turn recognized goze as masterful artisans who acted as powerful agents of widespread cultural development. As the first full-length scholarly work on goze in English, this book is an invaluable resource to scholars and students of Japanese culture, Japanese music, ethnomusicology, and disability studies worldwide.
Book Synopsis Goze by : Gerald Groemer
Download or read book Goze written by Gerald Groemer and published by Oxford University Press. This book was released on 2016-03-21 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a tradition extending from the medieval era to the early twentieth century, visually disabled Japanese women known as goze toured the countryside as professional singers. An integral part of rural musical culture, the goze sang unique narratives of their own making and a significant repertory of popular ballads and short songs. Goze activities peaked in the nineteenth century, and some women continued to tour well into the middle of the twentieth. The last active goze lived until 2005. In Goze: Women, Musical Performance, and Visual Disability in Traditional Japan, Gerald Groemer examines the way of life, institutions, and songs of these itinerant performers. Groemer shows that the solidarity and success goze achieved with the rural public through narrative and music was based on the convergence of the goze's desire for a degree of social and economic autonomy with the audience's wish to mitigate the cultural deprivation it so often experienced. Goze recognized audiences as a stimulus for developing repertories and careers; the public in turn recognized goze as masterful artisans who acted as powerful agents of widespread cultural development. As the first full-length scholarly work on goze in English, this book is an invaluable resource to scholars and students of Japanese culture, Japanese music, ethnomusicology, and disability studies worldwide.
Early modern Japan was a military-bureaucratic state governed by patriarchal and patrilineal principles and laws. During this time, however, women had considerable power to directly affect social structure, political practice, and economic production. This apparent contradiction between official norms and experienced realities lies at the heart of The Problem of Women in Early Modern Japan. Examining prescriptive literature and instructional manuals for women—as well as diaries, memoirs, and letters written by and about individual women from the late seventeenth century to the early nineteenth century—Marcia Yonemoto explores the dynamic nature of Japanese women’s lives during the early modern era.
Book Synopsis The Problem of Women in Early Modern Japan by : Marcia Yonemoto
Download or read book The Problem of Women in Early Modern Japan written by Marcia Yonemoto and published by Univ of California Press. This book was released on 2016-09-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early modern Japan was a military-bureaucratic state governed by patriarchal and patrilineal principles and laws. During this time, however, women had considerable power to directly affect social structure, political practice, and economic production. This apparent contradiction between official norms and experienced realities lies at the heart of The Problem of Women in Early Modern Japan. Examining prescriptive literature and instructional manuals for women—as well as diaries, memoirs, and letters written by and about individual women from the late seventeenth century to the early nineteenth century—Marcia Yonemoto explores the dynamic nature of Japanese women’s lives during the early modern era.
