Word Art + Gesture Art = Tone Art

Word Art + Gesture Art = Tone Art

Author: Hanns-Werner Heister

Publisher: Springer Nature

Published: 2023-03-06

Total Pages: 719

ISBN-13: 3031201094

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This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or ‘tonal’ on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.


Book Synopsis Word Art + Gesture Art = Tone Art by : Hanns-Werner Heister

Download or read book Word Art + Gesture Art = Tone Art written by Hanns-Werner Heister and published by Springer Nature. This book was released on 2023-03-06 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or ‘tonal’ on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.


Expressive Figure Drawing

Expressive Figure Drawing

Author: Bill Buchman

Publisher: Watson-Guptill

Published: 2010-12-14

Total Pages: 178

ISBN-13: 0823033147

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Throughout the history of art, figure drawing has been regarded as the very foundation of an artist’s education and the center of the art-making process. Bill Buchman’s Expressive Figure Drawing presents the classic fundamentals of this genre, but with a distinctly contemporary twist—celebrating freedom, expressiveness, and creativity. This unique method incorporates more than 30 essential exercises, empowering you to draw the figure dramatically and with confidence, no matter your current level of skill. Filled with step-by-step demonstrations, inspiring images, and insightful text revealing a wide range of techniques and concepts, this book presents new ways to think about the figure and use your materials to free the artist within.


Book Synopsis Expressive Figure Drawing by : Bill Buchman

Download or read book Expressive Figure Drawing written by Bill Buchman and published by Watson-Guptill. This book was released on 2010-12-14 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the history of art, figure drawing has been regarded as the very foundation of an artist’s education and the center of the art-making process. Bill Buchman’s Expressive Figure Drawing presents the classic fundamentals of this genre, but with a distinctly contemporary twist—celebrating freedom, expressiveness, and creativity. This unique method incorporates more than 30 essential exercises, empowering you to draw the figure dramatically and with confidence, no matter your current level of skill. Filled with step-by-step demonstrations, inspiring images, and insightful text revealing a wide range of techniques and concepts, this book presents new ways to think about the figure and use your materials to free the artist within.


Philosophers on Art from Kant to the Postmodernists

Philosophers on Art from Kant to the Postmodernists

Author: Christopher Kul-Want

Publisher: Columbia University Press

Published: 2010-06-04

Total Pages: 378

ISBN-13: 0231140940

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Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dal’'s The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancire, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.


Book Synopsis Philosophers on Art from Kant to the Postmodernists by : Christopher Kul-Want

Download or read book Philosophers on Art from Kant to the Postmodernists written by Christopher Kul-Want and published by Columbia University Press. This book was released on 2010-06-04 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dal’'s The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancire, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.


New Trends in Software Methodologies, Tools and Techniques

New Trends in Software Methodologies, Tools and Techniques

Author: H. Fujita

Publisher: IOS Press

Published: 2009-08-31

Total Pages: 640

ISBN-13: 160750460X

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Software is an essential enabler for science and the new economy, but software often falls short of our expectations, remaining expensive and not yet sufficiently reliable for a constantly changing and evolving market. This publication, which forms part of the SoMeT series, consists of 41 papers, carefully reviewed and revised on the basis of technical soundness, relevance, originality, significance, and clarity. These explore new trends and theories which illuminate the direction of developments which may lead to a transformation of the role of software in tomorrow’s global information society. The book offers an opportunity for the software science community to think about where they are today and where they are going. The emphasis has been placed on human-centric software methodologies, end-user development techniques, and emotional reasoning, for an optimally harmonised performance between the design tool and the user. The handling of cognitive issues in software development and the tools and techniques related to this form part of the contribution to this book. Other comparable theories and practices in software science, including emerging technologies essential for a comprehensive overview of information systems and research projects, are also addressed. This work represents another milestone in mastering the new challenges of software and its promising technology, and provides the reader with new insights, inspiration and concrete material to further the study of this new technology.


Book Synopsis New Trends in Software Methodologies, Tools and Techniques by : H. Fujita

Download or read book New Trends in Software Methodologies, Tools and Techniques written by H. Fujita and published by IOS Press. This book was released on 2009-08-31 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: Software is an essential enabler for science and the new economy, but software often falls short of our expectations, remaining expensive and not yet sufficiently reliable for a constantly changing and evolving market. This publication, which forms part of the SoMeT series, consists of 41 papers, carefully reviewed and revised on the basis of technical soundness, relevance, originality, significance, and clarity. These explore new trends and theories which illuminate the direction of developments which may lead to a transformation of the role of software in tomorrow’s global information society. The book offers an opportunity for the software science community to think about where they are today and where they are going. The emphasis has been placed on human-centric software methodologies, end-user development techniques, and emotional reasoning, for an optimally harmonised performance between the design tool and the user. The handling of cognitive issues in software development and the tools and techniques related to this form part of the contribution to this book. Other comparable theories and practices in software science, including emerging technologies essential for a comprehensive overview of information systems and research projects, are also addressed. This work represents another milestone in mastering the new challenges of software and its promising technology, and provides the reader with new insights, inspiration and concrete material to further the study of this new technology.


Reason and Experience in Mendelssohn and Kant

Reason and Experience in Mendelssohn and Kant

Author: Paul Guyer

Publisher: Oxford University Press, USA

Published: 2020-05-21

Total Pages: 364

ISBN-13: 0198850336

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Reason and Experience in Mendelssohn and Kant provides the first in-depth examination of the lifelong intellectual relationship between two of the greatest figures of the European Enlightenment, Immanuel Kant (1724-1804) and Moses Mendelssohn (1729-1786). Both were engaged in a common project of striking the right balance between rationalism and empiricism. They sometimes borrowed from one another, often disagreed with one another, and can usefully be compared even when they did not directly interact. Guyer examines a series of comparisons and contrasts: their arguments and conclusions on a range of metaphysical issues, including proofs of the existence of God, immortality, and idealism; their shared interests in aesthetics; and their path-breaking work on the "religion of reason" and the separation of church and state. Setting the work of both philosophers in historical context, Guyer shows that, where Kant sometimes provides deeper insight into the underlying structure of human thought, Mendelssohn is often the deeper student of the variety of human experience. This is evident above all in their treatments of aesthetics and religion: Mendelssohn recognizes more deeply than Kant the emotional impact of art, and while Kant imagines that organized religion will one day be superseded by pure morality, Mendelssohn argued that organized religion in all its varieties seems here to stay, and so toleration for religious variety is an inescapable requirement of human morality. Based on an exhaustive study of a wide range of texts, this study demonstrates the on-going relevance of Kant and Mendelssohn to modern thought.


Book Synopsis Reason and Experience in Mendelssohn and Kant by : Paul Guyer

Download or read book Reason and Experience in Mendelssohn and Kant written by Paul Guyer and published by Oxford University Press, USA. This book was released on 2020-05-21 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reason and Experience in Mendelssohn and Kant provides the first in-depth examination of the lifelong intellectual relationship between two of the greatest figures of the European Enlightenment, Immanuel Kant (1724-1804) and Moses Mendelssohn (1729-1786). Both were engaged in a common project of striking the right balance between rationalism and empiricism. They sometimes borrowed from one another, often disagreed with one another, and can usefully be compared even when they did not directly interact. Guyer examines a series of comparisons and contrasts: their arguments and conclusions on a range of metaphysical issues, including proofs of the existence of God, immortality, and idealism; their shared interests in aesthetics; and their path-breaking work on the "religion of reason" and the separation of church and state. Setting the work of both philosophers in historical context, Guyer shows that, where Kant sometimes provides deeper insight into the underlying structure of human thought, Mendelssohn is often the deeper student of the variety of human experience. This is evident above all in their treatments of aesthetics and religion: Mendelssohn recognizes more deeply than Kant the emotional impact of art, and while Kant imagines that organized religion will one day be superseded by pure morality, Mendelssohn argued that organized religion in all its varieties seems here to stay, and so toleration for religious variety is an inescapable requirement of human morality. Based on an exhaustive study of a wide range of texts, this study demonstrates the on-going relevance of Kant and Mendelssohn to modern thought.


On Translation

On Translation

Author: John Sallis

Publisher: Indiana University Press

Published: 2002-10-11

Total Pages: 144

ISBN-13: 9780253109446

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"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." -- Drew A. Hyland In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.


Book Synopsis On Translation by : John Sallis

Download or read book On Translation written by John Sallis and published by Indiana University Press. This book was released on 2002-10-11 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." -- Drew A. Hyland In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.


The Arts and Their Interrelations

The Arts and Their Interrelations

Author: Thomas Munro

Publisher:

Published: 1951

Total Pages: 584

ISBN-13:

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Book Synopsis The Arts and Their Interrelations by : Thomas Munro

Download or read book The Arts and Their Interrelations written by Thomas Munro and published by . This book was released on 1951 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Unworking Choreography

Unworking Choreography

Author: Frédéric Pouillaude

Publisher: Oxford University Press

Published: 2017

Total Pages: 377

ISBN-13: 0199314640

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There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production.


Book Synopsis Unworking Choreography by : Frédéric Pouillaude

Download or read book Unworking Choreography written by Frédéric Pouillaude and published by Oxford University Press. This book was released on 2017 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production.


Wagner as Man and Artist

Wagner as Man and Artist

Author: Ernest Newman

Publisher:

Published: 1914

Total Pages: 428

ISBN-13:

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Book Synopsis Wagner as Man and Artist by : Ernest Newman

Download or read book Wagner as Man and Artist written by Ernest Newman and published by . This book was released on 1914 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Wagner as Man and Artist

Wagner as Man and Artist

Author: Ernest Newman

Publisher: Cambridge University Press

Published: 2014-05-22

Total Pages: 425

ISBN-13: 1108073875

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In this 1914 work, Newman attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius.


Book Synopsis Wagner as Man and Artist by : Ernest Newman

Download or read book Wagner as Man and Artist written by Ernest Newman and published by Cambridge University Press. This book was released on 2014-05-22 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this 1914 work, Newman attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius.