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This is the first study of the Anglo-Welsh border region in the period before the Norman arrival in England, from the fifth to the twelfth centuries. Its conclusions significantly alter our current picture of Anglo/Welsh relations before the Norman Conquest by overturning the longstanding critical belief that relations between these two peoples during this period were predominately contentious. Writing the Welsh borderlands in Anglo-Saxon England demonstrates that the region which would later become the March of Wales was not a military frontier in Anglo-Saxon England, but a distinctively mixed Anglo-Welsh cultural zone which was depicted as a singular place in contemporary Welsh and Anglo-Saxon texts. This study reveals that the region of the Welsh borderlands was much more culturally coherent, and the impact of the Norman Conquest on it much greater, than has been previously realised.
Book Synopsis Writing the Welsh borderlands in Anglo-Saxon England by : Lindy Brady
Download or read book Writing the Welsh borderlands in Anglo-Saxon England written by Lindy Brady and published by Manchester University Press. This book was released on 2017-05-31 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first study of the Anglo-Welsh border region in the period before the Norman arrival in England, from the fifth to the twelfth centuries. Its conclusions significantly alter our current picture of Anglo/Welsh relations before the Norman Conquest by overturning the longstanding critical belief that relations between these two peoples during this period were predominately contentious. Writing the Welsh borderlands in Anglo-Saxon England demonstrates that the region which would later become the March of Wales was not a military frontier in Anglo-Saxon England, but a distinctively mixed Anglo-Welsh cultural zone which was depicted as a singular place in contemporary Welsh and Anglo-Saxon texts. This study reveals that the region of the Welsh borderlands was much more culturally coherent, and the impact of the Norman Conquest on it much greater, than has been previously realised.
Crucial texts from ninth- and tenth-century Wales analysed to show their key role in identify formation. WINNER OF THE FRANCIS JONES PRIZE 2022 Early medieval writers viewed the world as divided into gentes ("peoples"). These were groups that could be differentiated from each other according to certain characteristics - by the language they spoke or the territory they inhabited, for example. The same writers played a key role in deciding which characteristics were important and using these to construct ethnic identities. This book explores this process of identity construction in texts from early medieval Wales, focusing primarily on the early ninth-century Latin history of the Britons (Historia Brittonum), the biography of Alfred the Great composed by the Welsh scholar Asser in 893, and the tenth-century vernacular poem Armes Prydein Vawr ("The Great Prophecy of Britain"). It examines how these writers set about distinguishing between the Welsh and the other gentes inhabiting the island of Britain through the use of names, attention to linguistic difference, and the writing of history and origin legends. Crucially important was the identity of the Welsh as Britons, the rightful inhabitants of the entirety of Britain; its significance and durability are investigated, alongside its interaction with the emergence of an identity focused on the geographical unit of Wales.
Book Synopsis History and Identity in Early Medieval Wales by : Rebecca Thomas
Download or read book History and Identity in Early Medieval Wales written by Rebecca Thomas and published by Boydell & Brewer. This book was released on 2022 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Crucial texts from ninth- and tenth-century Wales analysed to show their key role in identify formation. WINNER OF THE FRANCIS JONES PRIZE 2022 Early medieval writers viewed the world as divided into gentes ("peoples"). These were groups that could be differentiated from each other according to certain characteristics - by the language they spoke or the territory they inhabited, for example. The same writers played a key role in deciding which characteristics were important and using these to construct ethnic identities. This book explores this process of identity construction in texts from early medieval Wales, focusing primarily on the early ninth-century Latin history of the Britons (Historia Brittonum), the biography of Alfred the Great composed by the Welsh scholar Asser in 893, and the tenth-century vernacular poem Armes Prydein Vawr ("The Great Prophecy of Britain"). It examines how these writers set about distinguishing between the Welsh and the other gentes inhabiting the island of Britain through the use of names, attention to linguistic difference, and the writing of history and origin legends. Crucially important was the identity of the Welsh as Britons, the rightful inhabitants of the entirety of Britain; its significance and durability are investigated, alongside its interaction with the emergence of an identity focused on the geographical unit of Wales.
An exploration of how power and political society were imagined, represented and reflected on in medieval English art
Book Synopsis Art and Political Thought in Medieval England, C. 1150-1350 by : Laura Slater
Download or read book Art and Political Thought in Medieval England, C. 1150-1350 written by Laura Slater and published by Boydell & Brewer. This book was released on 2018 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of how power and political society were imagined, represented and reflected on in medieval English art
Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
Book Synopsis Global Perspectives on Early Medieval England by : Debby Banham
Download or read book Global Perspectives on Early Medieval England written by Debby Banham and published by Boydell & Brewer. This book was released on 2022 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
An interdisciplinary exploration of how writers have conveyed sound through text. Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation. Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.
Book Synopsis The Sound of Writing by : Christopher Cannon
Download or read book The Sound of Writing written by Christopher Cannon and published by JHU Press. This book was released on 2023-11-14 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary exploration of how writers have conveyed sound through text. Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation. Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.
Edition and translation of this important genre of Old Welsh poetry.The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains.This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.
Book Synopsis The Medieval Welsh 'Englynion Y Beddau' by : Patrick Sims-Williams
Download or read book The Medieval Welsh 'Englynion Y Beddau' written by Patrick Sims-Williams and published by Boydell & Brewer. This book was released on 2023-09-19 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edition and translation of this important genre of Old Welsh poetry.The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains.This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects. translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Book Synopsis Poet of the Medieval Modern by : Francesca Brooks
Download or read book Poet of the Medieval Modern written by Francesca Brooks and published by Oxford University Press. This book was released on 2021 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Challenging the standard view that England emerged as a dominant power and Wales faded into obscurity after Edward I's conquest in 1282, this book considers how Welsh (and British) history became an enduringly potent instrument of political power in the late Middle Ages. Brought into the broader stream of political consciousness by major baronial families from the March (the borderlands between England and Wales), this inventive history generated a new brand of literature interested in succession, land rights, and the origins of imperial power, as imagined by Geoffrey of Monmouth. These marcher families leveraged their ancestral, political, and ideological ties to Wales in order to strengthen their political power, both regionally and nationally, through the patronage of historical and genealogical texts that reimagined the Welsh past on their terms. In doing so, they brought ideas of Welsh history to a wider audience than previously recognized and came to have a profound effect on late medieval thought about empire, monarchy, and succession.
Book Synopsis Reimagining the Past in the Borderlands of Medieval England and Wales by : Georgia Henley
Download or read book Reimagining the Past in the Borderlands of Medieval England and Wales written by Georgia Henley and published by Oxford University Press. This book was released on 2024-05-23 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging the standard view that England emerged as a dominant power and Wales faded into obscurity after Edward I's conquest in 1282, this book considers how Welsh (and British) history became an enduringly potent instrument of political power in the late Middle Ages. Brought into the broader stream of political consciousness by major baronial families from the March (the borderlands between England and Wales), this inventive history generated a new brand of literature interested in succession, land rights, and the origins of imperial power, as imagined by Geoffrey of Monmouth. These marcher families leveraged their ancestral, political, and ideological ties to Wales in order to strengthen their political power, both regionally and nationally, through the patronage of historical and genealogical texts that reimagined the Welsh past on their terms. In doing so, they brought ideas of Welsh history to a wider audience than previously recognized and came to have a profound effect on late medieval thought about empire, monarchy, and succession.
Gerald of Wales (c.1146–c.1223), widely recognized for his innovative ethnographic studies of Ireland and Wales, was in fact the author of some twenty-three works which touch upon many aspects of twelfth-century life. Despite their valuable insights, these works have been vastly understudied. This collection of essays reassesses Gerald’s importance as a medieval Latin writer and rhetorician by focusing on his lesser-known works and providing a fuller context for his more popular writings. This broader view of his corpus brings to light new evidence for his rhetorical strategies, political positioning and usage of source material, and attests to the breadth and depth of his collected works.
Book Synopsis Gerald of Wales by : A. Joseph McMullen
Download or read book Gerald of Wales written by A. Joseph McMullen and published by University of Wales Press. This book was released on 2018-02-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gerald of Wales (c.1146–c.1223), widely recognized for his innovative ethnographic studies of Ireland and Wales, was in fact the author of some twenty-three works which touch upon many aspects of twelfth-century life. Despite their valuable insights, these works have been vastly understudied. This collection of essays reassesses Gerald’s importance as a medieval Latin writer and rhetorician by focusing on his lesser-known works and providing a fuller context for his more popular writings. This broader view of his corpus brings to light new evidence for his rhetorical strategies, political positioning and usage of source material, and attests to the breadth and depth of his collected works.
FROM THE NO. 1 BESTSELLING AUTHOR OF WAR LORD COMES AN EPIC RETELLING OF THE ARTHURIAN LEGEND 'THE BEST King Arthur adaptation I've ever read' 5***** Reader Review 'An absolute winner from the master of historical fiction' 5***** Reader Review 'Outstanding. The best take on the iconic Arthur story I've read or watched' 5***** Reader Review In the Dark Ages, a legendary warrior arises to unite a divided land . . . _________ Uther, the High King of Britain, is dead. His only heir is the infant Mordred. Yet each of the country's lesser kings seek to claim the crown for themselves. While they squabble and spoil for war, a host of Saxon armies gather, preparing for invasion. But no one has counted on the fearsome warlord Arthur. Handed power by Merlin and pursuing a doomed romance with the beautiful Guinevere, Arthur knows he will struggle to unite the country - let alone hold back the Saxon enemy at the gates. Yet destiny awaits him . . . From the epic and bestselling author who has gripped millions. _________ PRAISE FOR BERNARD CORNWELL: 'Strong narrative, vigourous action and striking characterisation, Cornwell remains king of the territory he has staked out as his own' SUNDAY TIMES 'Like Game of Thrones, but real' OBSERVER 'Blood, divided loyalties and thundering battles' THE TIMES 'The best battle scenes of any writer I've ever read, past or present. Cornwell really makes history come alive' GEORGE R.R. MARTIN 'He's called a master storyteller. Really he's cleverer than that' TELEGRAPH 'A reminder of just how good a writer he is' SUNDAY TIMES 'Nobody in the world does this better than Cornwell' LEE CHILD
Book Synopsis The Winter King by : Bernard Cornwell
Download or read book The Winter King written by Bernard Cornwell and published by Penguin UK. This book was released on 2007-11-01 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: FROM THE NO. 1 BESTSELLING AUTHOR OF WAR LORD COMES AN EPIC RETELLING OF THE ARTHURIAN LEGEND 'THE BEST King Arthur adaptation I've ever read' 5***** Reader Review 'An absolute winner from the master of historical fiction' 5***** Reader Review 'Outstanding. The best take on the iconic Arthur story I've read or watched' 5***** Reader Review In the Dark Ages, a legendary warrior arises to unite a divided land . . . _________ Uther, the High King of Britain, is dead. His only heir is the infant Mordred. Yet each of the country's lesser kings seek to claim the crown for themselves. While they squabble and spoil for war, a host of Saxon armies gather, preparing for invasion. But no one has counted on the fearsome warlord Arthur. Handed power by Merlin and pursuing a doomed romance with the beautiful Guinevere, Arthur knows he will struggle to unite the country - let alone hold back the Saxon enemy at the gates. Yet destiny awaits him . . . From the epic and bestselling author who has gripped millions. _________ PRAISE FOR BERNARD CORNWELL: 'Strong narrative, vigourous action and striking characterisation, Cornwell remains king of the territory he has staked out as his own' SUNDAY TIMES 'Like Game of Thrones, but real' OBSERVER 'Blood, divided loyalties and thundering battles' THE TIMES 'The best battle scenes of any writer I've ever read, past or present. Cornwell really makes history come alive' GEORGE R.R. MARTIN 'He's called a master storyteller. Really he's cleverer than that' TELEGRAPH 'A reminder of just how good a writer he is' SUNDAY TIMES 'Nobody in the world does this better than Cornwell' LEE CHILD
