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Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.
Book Synopsis Yajnaseni by : Pratibhā Rāẏa
Download or read book Yajnaseni written by Pratibhā Rāẏa and published by Rupa Publications India Pvt Limited. This book was released on 1995 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.
The river was in high tide and the footprints of the Yadavas were more or less washed away. Big waves came rushing to the shore and wiped away some more footprints Suddenly Rukmini discovered a familiar footprint and sat beside it . Her eyes brimmed over with tears . These were the footprints her hair locks drooped over when she knelt at her Lord's feet every morning . These were the footprints she worshipped with chandan . the footprints of her Lord of Sri Krishna ! They were deeply immersed in the sand. the impression engraved in the sand was filled with water. Rukmini's streaming tears were making an offering in the water-filled footprints. Daruk arrived and stood beside her . He looked startled. He could not believe how the footprints filled to the brim with water could contain Rukmini's tears without spilling over. What was further surprising was that not a single tear had dropped out of the carved footprint .
Book Synopsis Krishna-The God Who Lived As Man by : Bhawana Somaaya
Download or read book Krishna-The God Who Lived As Man written by Bhawana Somaaya and published by Pustak Mahal. This book was released on 2008-08-13 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The river was in high tide and the footprints of the Yadavas were more or less washed away. Big waves came rushing to the shore and wiped away some more footprints Suddenly Rukmini discovered a familiar footprint and sat beside it . Her eyes brimmed over with tears . These were the footprints her hair locks drooped over when she knelt at her Lord's feet every morning . These were the footprints she worshipped with chandan . the footprints of her Lord of Sri Krishna ! They were deeply immersed in the sand. the impression engraved in the sand was filled with water. Rukmini's streaming tears were making an offering in the water-filled footprints. Daruk arrived and stood beside her . He looked startled. He could not believe how the footprints filled to the brim with water could contain Rukmini's tears without spilling over. What was further surprising was that not a single tear had dropped out of the carved footprint .
How different would mythological narratives be, if women voiced their perspectives? Amidst great wars, superhuman heroes and their ‘glorious’ victories, is there a place for women? Are ‘great wars’ limited to armed conflicts between armies of men on the battlefields? Do women have their own battles before, after and beyond the confines of wars in the epic narratives of India? Both the Ramayana and the Mahabharata have integrated into our social and cultural fabric, and permeated into the myriad layers of life across genres and media. It is a common practice to revisit mythological landscapes and realign the lenses to look at them afresh from different perspectives. Re-renderings often bring in multiple interpretations that are creative and critical, adding variety and currency to the original narratives. Vision and Re-vision traces the lives of seven marginalized women from revisionist works against the central motif of war. It follows the pursuits of Ganga, Surpanakha, Uruvi, Sita, Urmila, Satyavati and Draupadi to understand their struggles and victories as women. Analyzing textual spaces provided to women, it explores their marginalized voices and their resistance patterns. These, in turn, establish new narratives of subversion and reclaim the voices and identities of women from the margins. A sound theoretical framework enables a comprehensive understanding of feminism and its distinct Indo-centric identity.
Book Synopsis VISION and RE-VISION by : Beena. G
Download or read book VISION and RE-VISION written by Beena. G and published by Notion Press. This book was released on 2019-07-15 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: How different would mythological narratives be, if women voiced their perspectives? Amidst great wars, superhuman heroes and their ‘glorious’ victories, is there a place for women? Are ‘great wars’ limited to armed conflicts between armies of men on the battlefields? Do women have their own battles before, after and beyond the confines of wars in the epic narratives of India? Both the Ramayana and the Mahabharata have integrated into our social and cultural fabric, and permeated into the myriad layers of life across genres and media. It is a common practice to revisit mythological landscapes and realign the lenses to look at them afresh from different perspectives. Re-renderings often bring in multiple interpretations that are creative and critical, adding variety and currency to the original narratives. Vision and Re-vision traces the lives of seven marginalized women from revisionist works against the central motif of war. It follows the pursuits of Ganga, Surpanakha, Uruvi, Sita, Urmila, Satyavati and Draupadi to understand their struggles and victories as women. Analyzing textual spaces provided to women, it explores their marginalized voices and their resistance patterns. These, in turn, establish new narratives of subversion and reclaim the voices and identities of women from the margins. A sound theoretical framework enables a comprehensive understanding of feminism and its distinct Indo-centric identity.
MOVES & COUNTERMOVES Animish, the disciple teetering between scepticism and awe around Krishna’s divinity, inherits his Master’s mantle as the latter proceeds to Badari to pursue his self-realisation goals. Asareer's belief solidifies, and divine anecdotes about Krishna continue to enthral him. While the chasm between the viewpoints of both friends keeps widening, Krishna attains a God-like stature and comes to be feared by his opponents and revered by his devotees and sages alike. Meanwhile, rivalries explode between cousins. Kauravas, led by the determined Duryodhana, manipulate the king to their advantage while Pandavas fight for survival. Draupadi's entrance, forging a solid alliance between Pandavas and the powerful Panchala kingdom, adds a new twist to the story. And, through it all, the enigmatic Krishna emerges as the central figure, unfolding his own fascinating tryst with destiny. The game of one-up-manship between Kauavas and Pandavas, which resembled the opening stage of a chess game to Animish during the graduation ceremony of princes, moves into the next stage, the middle game. Kauravas and Pandavas were entangled in a prolonged fight over the chessboard of fate, with advantage shifting back and forth like in a bitter middle game of chess that does not produce a clear winner. Find inside the dramatic events of Krishna’s battles with Jarasandha, the setting up of the Dwaraka kingdom, Draupadi’s Swayamvara and her unconventional polyandrous marriage, the rise and fall of Indraprastha Empire, multiple marriages and battles of Krishna, the fortune-turning dice game where a wife was put on stake, and a host of other exciting events. Join Animish and Asareer, two good friends who disagree on matters of faith, to watch the enthralling moves and countermoves in the intricate middle phase of the story and analyse for yourself which moves are blunders and which ones are brilliancies. What did destiny ordain for the kings who thought they were players but were mere pawns on fate’s chess board?
Book Synopsis Naimisha - God's Own Story - The Middle Game by : Sesha
Download or read book Naimisha - God's Own Story - The Middle Game written by Sesha and published by Notion Press. This book was released on 2024-04-08 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: MOVES & COUNTERMOVES Animish, the disciple teetering between scepticism and awe around Krishna’s divinity, inherits his Master’s mantle as the latter proceeds to Badari to pursue his self-realisation goals. Asareer's belief solidifies, and divine anecdotes about Krishna continue to enthral him. While the chasm between the viewpoints of both friends keeps widening, Krishna attains a God-like stature and comes to be feared by his opponents and revered by his devotees and sages alike. Meanwhile, rivalries explode between cousins. Kauravas, led by the determined Duryodhana, manipulate the king to their advantage while Pandavas fight for survival. Draupadi's entrance, forging a solid alliance between Pandavas and the powerful Panchala kingdom, adds a new twist to the story. And, through it all, the enigmatic Krishna emerges as the central figure, unfolding his own fascinating tryst with destiny. The game of one-up-manship between Kauavas and Pandavas, which resembled the opening stage of a chess game to Animish during the graduation ceremony of princes, moves into the next stage, the middle game. Kauravas and Pandavas were entangled in a prolonged fight over the chessboard of fate, with advantage shifting back and forth like in a bitter middle game of chess that does not produce a clear winner. Find inside the dramatic events of Krishna’s battles with Jarasandha, the setting up of the Dwaraka kingdom, Draupadi’s Swayamvara and her unconventional polyandrous marriage, the rise and fall of Indraprastha Empire, multiple marriages and battles of Krishna, the fortune-turning dice game where a wife was put on stake, and a host of other exciting events. Join Animish and Asareer, two good friends who disagree on matters of faith, to watch the enthralling moves and countermoves in the intricate middle phase of the story and analyse for yourself which moves are blunders and which ones are brilliancies. What did destiny ordain for the kings who thought they were players but were mere pawns on fate’s chess board?
The Refugee Woman examines the Partition of 1947 by engaging with the cultural imagination of the ‘refugee woman’ in West Bengal, particularly in three significant texts of the Partition of Bengal—Ritwik Ghatak’s film Meghe Dhaka Tara; and two novels, Jyotirmoyee Devi’s Epar Ganga, Opar Ganga and Sabitri Roy’s Swaralipi. It shows that the figure of the refugee woman, animated by the history of the political left and refugee movements, and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of ‘woman’ that emerged through the long history of dominant cultural nationalisms. The reading it offers elucidates some of the complexities of nationalist, communal, and communist gender-politics of a key period in post-independence Bengal.
Book Synopsis The Refugee Woman by : Paulomi Chakraborty
Download or read book The Refugee Woman written by Paulomi Chakraborty and published by Oxford University Press. This book was released on 2018-07-27 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Refugee Woman examines the Partition of 1947 by engaging with the cultural imagination of the ‘refugee woman’ in West Bengal, particularly in three significant texts of the Partition of Bengal—Ritwik Ghatak’s film Meghe Dhaka Tara; and two novels, Jyotirmoyee Devi’s Epar Ganga, Opar Ganga and Sabitri Roy’s Swaralipi. It shows that the figure of the refugee woman, animated by the history of the political left and refugee movements, and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of ‘woman’ that emerged through the long history of dominant cultural nationalisms. The reading it offers elucidates some of the complexities of nationalist, communal, and communist gender-politics of a key period in post-independence Bengal.
Are women safe in India? It is not just a million dollars question, it's a million daughters question. Silent: "The Unvoiced Women" depicts the sacrifices, a woman makes for her family and well being and how her freedom and opportunities are seized. The anthology revolves around women who have much to say but cannot. They are just silent or are made to shut their lips. They have much to speak but are denied. They have dumped every thought inside them. The book also focuses on some other major themes like rape and harassment, gender pay-gap period ,poverty and stigma. In short, the anthology is all about women and society. Every piece holds an emotion which are told and expressed through writing. The book is a result of the efforts of each and every co author involved in it. It has amazing writers and poets combined together from all around the world and has been compiled by Sejal Sondhi and initiated by Rosewood Publication.
Book Synopsis Silent - The unvoiced women by : Sejal Sondhi
Download or read book Silent - The unvoiced women written by Sejal Sondhi and published by Rosewood Publication . This book was released on with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are women safe in India? It is not just a million dollars question, it's a million daughters question. Silent: "The Unvoiced Women" depicts the sacrifices, a woman makes for her family and well being and how her freedom and opportunities are seized. The anthology revolves around women who have much to say but cannot. They are just silent or are made to shut their lips. They have much to speak but are denied. They have dumped every thought inside them. The book also focuses on some other major themes like rape and harassment, gender pay-gap period ,poverty and stigma. In short, the anthology is all about women and society. Every piece holds an emotion which are told and expressed through writing. The book is a result of the efforts of each and every co author involved in it. It has amazing writers and poets combined together from all around the world and has been compiled by Sejal Sondhi and initiated by Rosewood Publication.
Detective and crime stories based on real life incidents.
Book Synopsis The Detective Diaries by : Supratim Sarkar
Download or read book The Detective Diaries written by Supratim Sarkar and published by Rupa Publications. This book was released on 2019 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detective and crime stories based on real life incidents.
As the outcome of an international conference held at Jawaharlal Nehru University, India, this book provides a collection of productive texts on, and novel critical approaches to, comparative literature for young scholars. The wide range of analytical approaches employed here allow for the opening up of texts to new readings. The contributions here encompass readings of cinema, advertisements and literary representations, such as novels, poems and short stories, and are pertinent for scholars in media studies, cultural studies, gender studies, sociology and literature. As a commentary on contemporary representations of gender, the book is also relevant for all higher education institutions which seek to heighten gender sensitivity.
Book Synopsis Gendered Ways of Transnational Un-Belonging from a Comparative Literature Perspective by : Indrani Mukherjee
Download or read book Gendered Ways of Transnational Un-Belonging from a Comparative Literature Perspective written by Indrani Mukherjee and published by Cambridge Scholars Publishing. This book was released on 2019-05-03 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the outcome of an international conference held at Jawaharlal Nehru University, India, this book provides a collection of productive texts on, and novel critical approaches to, comparative literature for young scholars. The wide range of analytical approaches employed here allow for the opening up of texts to new readings. The contributions here encompass readings of cinema, advertisements and literary representations, such as novels, poems and short stories, and are pertinent for scholars in media studies, cultural studies, gender studies, sociology and literature. As a commentary on contemporary representations of gender, the book is also relevant for all higher education institutions which seek to heighten gender sensitivity.
Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years’ sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. Having been entertained with due respect by those holy men, he saluted those Munis (sages) with joined palms, even all of them, and inquired about the progress of their asceticism. Then all the ascetics being again seated, the son of Lomaharshana humbly occupied the seat that was assigned to him. Seeing that he was comfortably seated, and recovered from fatigue, one of the Rishis beginning the conversation, asked him, ‘Whence comest thou, O lotus-eyed Sauti, and where hast thou spent the time? Tell me, who ask thee, in detail.’ Accomplished in speech, Sauti, thus questioned, gave in the midst of that big assemblage of contemplative Munis a full and proper answer in words consonant with their mode of life. “Sauti said, ‘Having heard the diverse sacred and wonderful stories which were composed in his Mahabharata by Krishna-Dwaipayana, and which were recited in full by Vaisampayana at the Snake-sacrifice of the high-souled royal sage Janamejaya and in the presence also of that chief of Princes, the son of Parikshit, and having wandered about, visiting many sacred waters and holy shrines, I journeyed to the country venerated by the Dwijas (twice-born) and called Samantapanchaka where formerly was fought the battle between the children of Kuru and Pandu, and all the chiefs of the land ranged on either side. Thence, anxious to see you, I am come into your presence. Ye reverend sages, all of whom are to me as Brahma; ye greatly blessed who shine in this place of sacrifice with the splendour of the solar fire: ye who have concluded the silent meditations and have fed the holy fire; and yet who are sitting—without care, what, O ye Dwijas (twice-born), shall I repeat, shall I recount the sacred stories collected in the Puranas containing precepts of religious duty and of worldly profit, or the acts of illustrious saints and sovereigns of mankind?” “The Rishi replied, ‘The Purana, first promulgated by the great Rishi Dwaipayana, and which after having been heard both by the gods and the Brahmarshis was highly esteemed, being the most eminent narrative that exists, diversified both in diction and division, possessing subtile meanings logically combined, and gleaned from the Vedas, is a sacred work. Composed in elegant language, it includeth the subjects of other books. It is elucidated by other Shastras, and comprehendeth the sense of the four Vedas. We are desirous of hearing that history also called Bharata, the holy composition of the wonderful Vyasa, which dispelleth the fear of evil, just as it was cheerfully recited by the Rishi Vaisampayana, under the direction of Dwaipayana himself, at the snake-sacrifice of Raja Janamejaya?’
Book Synopsis The Mahabharata of Krishna-Dwaipayana Vyasa (Complete) by : Anonymous
Download or read book The Mahabharata of Krishna-Dwaipayana Vyasa (Complete) written by Anonymous and published by Library of Alexandria. This book was released on with total page 12302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years’ sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. Having been entertained with due respect by those holy men, he saluted those Munis (sages) with joined palms, even all of them, and inquired about the progress of their asceticism. Then all the ascetics being again seated, the son of Lomaharshana humbly occupied the seat that was assigned to him. Seeing that he was comfortably seated, and recovered from fatigue, one of the Rishis beginning the conversation, asked him, ‘Whence comest thou, O lotus-eyed Sauti, and where hast thou spent the time? Tell me, who ask thee, in detail.’ Accomplished in speech, Sauti, thus questioned, gave in the midst of that big assemblage of contemplative Munis a full and proper answer in words consonant with their mode of life. “Sauti said, ‘Having heard the diverse sacred and wonderful stories which were composed in his Mahabharata by Krishna-Dwaipayana, and which were recited in full by Vaisampayana at the Snake-sacrifice of the high-souled royal sage Janamejaya and in the presence also of that chief of Princes, the son of Parikshit, and having wandered about, visiting many sacred waters and holy shrines, I journeyed to the country venerated by the Dwijas (twice-born) and called Samantapanchaka where formerly was fought the battle between the children of Kuru and Pandu, and all the chiefs of the land ranged on either side. Thence, anxious to see you, I am come into your presence. Ye reverend sages, all of whom are to me as Brahma; ye greatly blessed who shine in this place of sacrifice with the splendour of the solar fire: ye who have concluded the silent meditations and have fed the holy fire; and yet who are sitting—without care, what, O ye Dwijas (twice-born), shall I repeat, shall I recount the sacred stories collected in the Puranas containing precepts of religious duty and of worldly profit, or the acts of illustrious saints and sovereigns of mankind?” “The Rishi replied, ‘The Purana, first promulgated by the great Rishi Dwaipayana, and which after having been heard both by the gods and the Brahmarshis was highly esteemed, being the most eminent narrative that exists, diversified both in diction and division, possessing subtile meanings logically combined, and gleaned from the Vedas, is a sacred work. Composed in elegant language, it includeth the subjects of other books. It is elucidated by other Shastras, and comprehendeth the sense of the four Vedas. We are desirous of hearing that history also called Bharata, the holy composition of the wonderful Vyasa, which dispelleth the fear of evil, just as it was cheerfully recited by the Rishi Vaisampayana, under the direction of Dwaipayana himself, at the snake-sacrifice of Raja Janamejaya?’
High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
Book Synopsis Jaya by : Devdutt Pattanaik
Download or read book Jaya written by Devdutt Pattanaik and published by Penguin UK. This book was released on 2010-08-16 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
