Download Contemporary European Playwrights full books in PDF, epub, and Kindle. Read online Contemporary European Playwrights ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.
Book Synopsis Contemporary European Playwrights by : Maria M. Delgado
Download or read book Contemporary European Playwrights written by Maria M. Delgado and published by Routledge. This book was released on 2020-07-22 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.
This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
Book Synopsis Contemporary European Theatre Directors by : Maria M. Delgado
Download or read book Contemporary European Theatre Directors written by Maria M. Delgado and published by Routledge. This book was released on 2020-06-29 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Book Synopsis Modernism in European Drama by : Frederick J. Marker
Download or read book Modernism in European Drama written by Frederick J. Marker and published by University of Toronto Press. This book was released on 1998-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Excerpt from Twenty Best European Plays on the American Stage: Edited With an Introduction Explanations do not alter the character of a book, but they may be useful in defining its limits. The present anthology is not an attempt to represent the modern European drama. Instead, it presents that drama as an element or factor in American professional stage production that my Crown anthologies of contemporary American plays have hitherto neglected. The neglect was intentional in my Best American Plays collections, which presented, and will continue to present, exclusively American playwriting. Readers of these compilations would have formed confused impressions of the qualities of American playwriting if European plays had been included for the sake of swelling my periodic chronicle of the American stage. It was long apparent, however, that the chronicle would be flagrantly incomplete unless it were supplemented by one or more volumes of European plays. The present volume is my first effort to enlarge the record of American stage production since World War I, and the character of the anthology may well explain why I postponed publishing it. The conventional compilations of plays from the time of Ibsen to the time of Sartre would not serve my purpose. These books and I compiled one of them, A Treasury (j the Theatre, myself are intended for the study of the European or the modern drama. The present anthology is intended primarily for the study of the American stage, as will any sequel to this volume that may appear later. I say study, because a comparison between the plays printed here and their original form will instruct the careful reader about Broadway's way of dealing with its imports. It may also dismay him at times, and that can be instructive, too. But it would be disingenuous for me to say that in preparing this anthology I hoped to instruct the general reader instead of merely interesting him. At most I wanted to show him another face of the American theatre, even if, in many instances, it may turn out to be the same face that some of us adore and others deplore. I could not have convinced my publishers to print so large a volume in so inflationary a period if I had been unable to offer a bounty to the public that takes its pleasure wherever it (can find it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis Twenty Best European Plays on the American Stage by : John Gassner
Download or read book Twenty Best European Plays on the American Stage written by John Gassner and published by Forgotten Books. This book was released on 2018-03-21 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Twenty Best European Plays on the American Stage: Edited With an Introduction Explanations do not alter the character of a book, but they may be useful in defining its limits. The present anthology is not an attempt to represent the modern European drama. Instead, it presents that drama as an element or factor in American professional stage production that my Crown anthologies of contemporary American plays have hitherto neglected. The neglect was intentional in my Best American Plays collections, which presented, and will continue to present, exclusively American playwriting. Readers of these compilations would have formed confused impressions of the qualities of American playwriting if European plays had been included for the sake of swelling my periodic chronicle of the American stage. It was long apparent, however, that the chronicle would be flagrantly incomplete unless it were supplemented by one or more volumes of European plays. The present volume is my first effort to enlarge the record of American stage production since World War I, and the character of the anthology may well explain why I postponed publishing it. The conventional compilations of plays from the time of Ibsen to the time of Sartre would not serve my purpose. These books and I compiled one of them, A Treasury (j the Theatre, myself are intended for the study of the European or the modern drama. The present anthology is intended primarily for the study of the American stage, as will any sequel to this volume that may appear later. I say study, because a comparison between the plays printed here and their original form will instruct the careful reader about Broadway's way of dealing with its imports. It may also dismay him at times, and that can be instructive, too. But it would be disingenuous for me to say that in preparing this anthology I hoped to instruct the general reader instead of merely interesting him. At most I wanted to show him another face of the American theatre, even if, in many instances, it may turn out to be the same face that some of us adore and others deplore. I could not have convinced my publishers to print so large a volume in so inflationary a period if I had been unable to offer a bounty to the public that takes its pleasure wherever it (can find it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
Book Synopsis The Routledge Companion to Contemporary European Theatre and Performance by : Ralf Remshardt
Download or read book The Routledge Companion to Contemporary European Theatre and Performance written by Ralf Remshardt and published by Taylor & Francis. This book was released on 2023-08-24 with total page 978 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
"This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past thirty years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering an all-encompassing, global approach across the directing field. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe since the end of the Cold War"--
Book Synopsis Contemporary European Theatre Directors by : Maria M. Delgado
Download or read book Contemporary European Theatre Directors written by Maria M. Delgado and published by Routledge. This book was released on 2020 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past thirty years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering an all-encompassing, global approach across the directing field. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe since the end of the Cold War"--
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Book Synopsis Susan Glaspell and Sophie Treadwell by : Barbara Ozieblo
Download or read book Susan Glaspell and Sophie Treadwell written by Barbara Ozieblo and published by Routledge. This book was released on 2008-03-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Provides a new way of defining--and understanding--postmodern drama
Book Synopsis Memory-theater and Postmodern Drama by : Jeanette R. Malkin
Download or read book Memory-theater and Postmodern Drama written by Jeanette R. Malkin and published by University of Michigan Press. This book was released on 1999 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a new way of defining--and understanding--postmodern drama
This book maps contemporary playwriting and theatre translation practices and ecologies in the European continent. Whether you are a scholar researching contemporary drama and translation, or a theatre practitioner looking for ways to navigate theatrical conventions in other countries, this book is for you. Through questionnaires and one-to-one interviews with key stakeholders, Dr Laera collects qualitative and quantitative data about how each national theatre culture supports living dramatists, what conventions drive the production and translation (or lack thereof) of contemporary plays, and what perceptions are held by gatekeepers, theatre-makers and other cultural operators about the theatre system in which they work. Through country-by-country descriptions and analyses; interviews with playwrights, translators, directors and gatekeepers; a list of key facts and best practices; and a rigorous assessment of its methodologies, this volume is indispensable for those interested in contemporary European theatre practice.
Book Synopsis Playwriting in Europe by : Margherita Laera
Download or read book Playwriting in Europe written by Margherita Laera and published by Taylor & Francis. This book was released on 2022-08-10 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps contemporary playwriting and theatre translation practices and ecologies in the European continent. Whether you are a scholar researching contemporary drama and translation, or a theatre practitioner looking for ways to navigate theatrical conventions in other countries, this book is for you. Through questionnaires and one-to-one interviews with key stakeholders, Dr Laera collects qualitative and quantitative data about how each national theatre culture supports living dramatists, what conventions drive the production and translation (or lack thereof) of contemporary plays, and what perceptions are held by gatekeepers, theatre-makers and other cultural operators about the theatre system in which they work. Through country-by-country descriptions and analyses; interviews with playwrights, translators, directors and gatekeepers; a list of key facts and best practices; and a rigorous assessment of its methodologies, this volume is indispensable for those interested in contemporary European theatre practice.
This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.
Book Synopsis Strategies of Political Theatre by : Michael Patterson
Download or read book Strategies of Political Theatre written by Michael Patterson and published by Cambridge University Press. This book was released on 2003-05-22 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.
