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Dr. Husemann shows how hearing is a sensory activity that encompasses far more than processes in the ear and brain, and that the whole body is involved. He also discusses the relationship between music and chemistry. Music is "chemistry from the inside." And finally, from 1915 to 1918, Rudolf Steiner developed a physiology of artistic imagination based on the movement of the cerebrospinal fluid during respiration.
Book Synopsis Human Hearing and the Reality of Music by : Armin J. Husemann
Download or read book Human Hearing and the Reality of Music written by Armin J. Husemann and published by Steiner Books. This book was released on 2012-12-01 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dr. Husemann shows how hearing is a sensory activity that encompasses far more than processes in the ear and brain, and that the whole body is involved. He also discusses the relationship between music and chemistry. Music is "chemistry from the inside." And finally, from 1915 to 1918, Rudolf Steiner developed a physiology of artistic imagination based on the movement of the cerebrospinal fluid during respiration.
Music is not simply something we hear. We experience it and love it; it is a primal human need. If, as the pianist Alfred Brendel put it, we are able to "take music at its word," we confront questions that also moved the author since his adolescent years: What takes hold of me when I experience music? What reality touches me when music is playing? What happens physiologically in the human body when we experience and make music? The author approaches these questions from three perspectives: first, from his personal experience and active love of music; second, from the physiological perspective; and third, from Rudolf Steiner's spiritual science. Dr. Husemann (author of Form, Life, and Consciousness An Introduction to Anthroposophic Medicine and Study of the Human Being)shows how hearing is a sensory activity that encompasses far more than processes in the ear and brain, and that the whole body is involved. He also discusses the relationship between music and chemistry. Music is "chemistry from the inside." And finally, from 1915 to 1918, Rudolf Steiner developed a physiology of artistic imagination based on the movement of the cerebrospinal fluid during respiration. Human Hearing and the Reality of Music is the first attempt to relate Steiner's spiritual research to the findings of natural scientific research in this area.
Book Synopsis Human Hearing and the Reality of Music by : Armin J. Husemann
Download or read book Human Hearing and the Reality of Music written by Armin J. Husemann and published by Steiner Books. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is not simply something we hear. We experience it and love it; it is a primal human need. If, as the pianist Alfred Brendel put it, we are able to "take music at its word," we confront questions that also moved the author since his adolescent years: What takes hold of me when I experience music? What reality touches me when music is playing? What happens physiologically in the human body when we experience and make music? The author approaches these questions from three perspectives: first, from his personal experience and active love of music; second, from the physiological perspective; and third, from Rudolf Steiner's spiritual science. Dr. Husemann (author of Form, Life, and Consciousness An Introduction to Anthroposophic Medicine and Study of the Human Being)shows how hearing is a sensory activity that encompasses far more than processes in the ear and brain, and that the whole body is involved. He also discusses the relationship between music and chemistry. Music is "chemistry from the inside." And finally, from 1915 to 1918, Rudolf Steiner developed a physiology of artistic imagination based on the movement of the cerebrospinal fluid during respiration. Human Hearing and the Reality of Music is the first attempt to relate Steiner's spiritual research to the findings of natural scientific research in this area.
David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Book Synopsis Reminded by the Instruments by : You Nakai
Download or read book Reminded by the Instruments written by You Nakai and published by Oxford University Press. This book was released on 2021 with total page 769 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
‘Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.’ In an increasingly digitised world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of ‘intelligent machines’ that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena. In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again: the secret of the ‘geographical’ or the ‘ahrimanic’ doppelgänger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being which enters the body shortly before birth and leaves at death, providing the basis for all electrical currents that are needed to process and coordinate sense perceptions and react to them. Based on his spiritual research, Rudolf Steiner discusses this doppelgänger or ‘double’ in the wider context of historic occult events relating to ‘spirits of darkness’. Specific brotherhoods seek to keep such knowledge to themselves in order to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical doppelgänger and its challenges are to be understood.
Book Synopsis THE ELECTRONIC DOPPELGÄNGER by : RUDOLF STEINER
Download or read book THE ELECTRONIC DOPPELGÄNGER written by RUDOLF STEINER and published by Rudolf Steiner Press. This book was released on 2016-04-15 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.’ In an increasingly digitised world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of ‘intelligent machines’ that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena. In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again: the secret of the ‘geographical’ or the ‘ahrimanic’ doppelgänger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being which enters the body shortly before birth and leaves at death, providing the basis for all electrical currents that are needed to process and coordinate sense perceptions and react to them. Based on his spiritual research, Rudolf Steiner discusses this doppelgänger or ‘double’ in the wider context of historic occult events relating to ‘spirits of darkness’. Specific brotherhoods seek to keep such knowledge to themselves in order to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical doppelgänger and its challenges are to be understood.
Book Synopsis Space and Place: Diversity in Reality, Imagination, and Representation by : Brooke L. Rogers
Download or read book Space and Place: Diversity in Reality, Imagination, and Representation written by Brooke L. Rogers and published by BRILL. This book was released on 2019-01-04 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand it, and its role in human life
Book Synopsis This is Your Brain on Music by : Daniel Levitin
Download or read book This is Your Brain on Music written by Daniel Levitin and published by Penguin Group. This book was released on 2019-07-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand it, and its role in human life
How did hearing select the pentatonic scale? This review seeks to throw doubt on the role normally attributed to harmonics in the nature of our hearing mechanism. It contains an account of how musical sounds are coded by the ear, coupled with an analysis of the processing units of the brain.
Book Synopsis How We Hear Music by : James Beament
Download or read book How We Hear Music written by James Beament and published by Boydell Press. This book was released on 2001 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did hearing select the pentatonic scale? This review seeks to throw doubt on the role normally attributed to harmonics in the nature of our hearing mechanism. It contains an account of how musical sounds are coded by the ear, coupled with an analysis of the processing units of the brain.
Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Book Synopsis MP3 by : Jonathan Sterne
Download or read book MP3 written by Jonathan Sterne and published by Duke University Press. This book was released on 2012-07-17 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Vladimir Jankélévitch left behind a remarkable uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
Book Synopsis Music and the Ineffable by : Vladimir Jankélévitch
Download or read book Music and the Ineffable written by Vladimir Jankélévitch and published by Princeton University Press. This book was released on 2003-07-28 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vladimir Jankélévitch left behind a remarkable uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and work Contributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu Fei What happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary. This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.
Book Synopsis Ways of Hearing by : Scott Burnham
Download or read book Ways of Hearing written by Scott Burnham and published by Princeton University Press. This book was released on 2023-04-04 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and work Contributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu Fei What happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary. This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.
