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(Amadeus). A giant of postwar music and the most powerful figure in the contemporary French music scene, Pierre Boulez talks about his career as one of the world's most controversial conductors and daring programmers of musical text. These candid interviews give us vintage Boulez: his bold views, enigmatic wit, practical wisdom, and uncompromising beliefs.
Book Synopsis Conversations with Boulez by : Pierre Boulez
Download or read book Conversations with Boulez written by Pierre Boulez and published by Hal Leonard Corporation. This book was released on 1996 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Amadeus). A giant of postwar music and the most powerful figure in the contemporary French music scene, Pierre Boulez talks about his career as one of the world's most controversial conductors and daring programmers of musical text. These candid interviews give us vintage Boulez: his bold views, enigmatic wit, practical wisdom, and uncompromising beliefs.
Book Synopsis Conversations with Célestin Deliège by : Pierre Boulez
Download or read book Conversations with Célestin Deliège written by Pierre Boulez and published by London : Eulenburg Books. This book was released on 1976 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Book Synopsis Music Lessons by : Pierre Boulez
Download or read book Music Lessons written by Pierre Boulez and published by University of Chicago Press. This book was released on 2019-10-17 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Book Synopsis Boulez con C Deliege by : Daniel Boulud
Download or read book Boulez con C Deliege written by Daniel Boulud and published by . This book was released on 1984-12 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Pierre Boulez is arguably the single most influential - and controversial - figure in the world of music today. As composer, conductor and personality, his challenging views are lent a special authority by his very high standing as an interpreter of great composers such as Wagner, Debussy, Bartók and Stravinsky. He regularly appears to great acclaim on concert platforms and in opera houses around the world.In these unique conversations with Cécile Gilly, he recalls not only the great moments of his career, but brings penetrating insights into the art of conducting, including his views on other great composer-conductors (Berlioz, Wagner, Mahler, Strauss). Boulez speaks unusually frankly about his own rapport with conductors as a composer, and how he sees the role of the conductor today.
Book Synopsis Boulez on Conducting by : Pierre Boulez
Download or read book Boulez on Conducting written by Pierre Boulez and published by . This book was released on 2003 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez is arguably the single most influential - and controversial - figure in the world of music today. As composer, conductor and personality, his challenging views are lent a special authority by his very high standing as an interpreter of great composers such as Wagner, Debussy, Bartók and Stravinsky. He regularly appears to great acclaim on concert platforms and in opera houses around the world.In these unique conversations with Cécile Gilly, he recalls not only the great moments of his career, but brings penetrating insights into the art of conducting, including his views on other great composer-conductors (Berlioz, Wagner, Mahler, Strauss). Boulez speaks unusually frankly about his own rapport with conductors as a composer, and how he sees the role of the conductor today.
Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s, and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.
Book Synopsis Pierre Boulez Studies by : Edward Campbell
Download or read book Pierre Boulez Studies written by Edward Campbell and published by Cambridge University Press. This book was released on 2016-10-13 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s, and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Book Synopsis The Oxford Handbook of the Operatic Canon by : Cormac Newark
Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press. This book was released on 2020-08-20 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Pierre Boulez is arguably classical music's most important living composer and conductor. In this book of dialogues with author Rocco Di Pietro, Mr. Boulez reveals delightful ideas and insights on composition and imagination, listening and teaching, and muses on the nature of youth, communication, and fame.
Book Synopsis Dialogues with Boulez by : Rocco Di Pietro
Download or read book Dialogues with Boulez written by Rocco Di Pietro and published by Scarecrow Press. This book was released on 2001 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez is arguably classical music's most important living composer and conductor. In this book of dialogues with author Rocco Di Pietro, Mr. Boulez reveals delightful ideas and insights on composition and imagination, listening and teaching, and muses on the nature of youth, communication, and fame.
Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Book Synopsis Pierre Boulez and the Piano by : Peter O'Hagan
Download or read book Pierre Boulez and the Piano written by Peter O'Hagan and published by Routledge. This book was released on 2016-09-30 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
Book Synopsis Boulez, Music and Philosophy by : Edward Campbell
Download or read book Boulez, Music and Philosophy written by Edward Campbell and published by Cambridge University Press. This book was released on 2010-08-19 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
