The Archaeology of Art

The Archaeology of Art

Author: Andrew Meirion Jones

Publisher: Routledge

Published: 2018-05-20

Total Pages: 226

ISBN-13: 1317429826

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How can archaeologists interpret ancient art and images if they do not treat them as symbols or signifiers of identity? Traditional approaches to the archaeology of art have borrowed from the history of art and the anthropology of art by focusing on iconography, meaning, communication and identity. This puts the archaeology of art at a disadvantage as an understanding of iconography and meaning requires a detailed knowledge of historical or ethnographic context unavailable to many archaeologists. Rather than playing to archaeology’s weaknesses, the authors argue that an archaeology of art should instead play to archaeology’s strength: the material character of archaeological evidence. Using case studies - examining rock art, figurines, beadwork, murals, coffin decorations, sculpture and architecture from Europe, the Americas, Asia, Australia, and north Africa -the authors develop an understanding of the affective and effective nature of ancient art and imagery. An analysis of a series of material-based practices, from gesture and improvisation to miniaturisation and gigantism, assembly and disassembly and the use of distinctions in colour enable key concepts, such as style and meaning, to be re-imagined as affective practices. Recasting the archaeology of art as the study of affects offers a new prospectus for the study of ancient art and imagery.


Book Synopsis The Archaeology of Art by : Andrew Meirion Jones

Download or read book The Archaeology of Art written by Andrew Meirion Jones and published by Routledge. This book was released on 2018-05-20 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can archaeologists interpret ancient art and images if they do not treat them as symbols or signifiers of identity? Traditional approaches to the archaeology of art have borrowed from the history of art and the anthropology of art by focusing on iconography, meaning, communication and identity. This puts the archaeology of art at a disadvantage as an understanding of iconography and meaning requires a detailed knowledge of historical or ethnographic context unavailable to many archaeologists. Rather than playing to archaeology’s weaknesses, the authors argue that an archaeology of art should instead play to archaeology’s strength: the material character of archaeological evidence. Using case studies - examining rock art, figurines, beadwork, murals, coffin decorations, sculpture and architecture from Europe, the Americas, Asia, Australia, and north Africa -the authors develop an understanding of the affective and effective nature of ancient art and imagery. An analysis of a series of material-based practices, from gesture and improvisation to miniaturisation and gigantism, assembly and disassembly and the use of distinctions in colour enable key concepts, such as style and meaning, to be re-imagined as affective practices. Recasting the archaeology of art as the study of affects offers a new prospectus for the study of ancient art and imagery.


The Archaeology of Seeing

The Archaeology of Seeing

Author: Liliana Janik

Publisher: Routledge

Published: 2020-01-28

Total Pages: 185

ISBN-13: 1000752631

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The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.


Book Synopsis The Archaeology of Seeing by : Liliana Janik

Download or read book The Archaeology of Seeing written by Liliana Janik and published by Routledge. This book was released on 2020-01-28 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.


Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Author:

Publisher: Elsevier

Published: 2006-05-02

Total Pages: 232

ISBN-13: 9780080461861

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The first of its kind, this series is devoted to the use of physical principles in the study and scientific conservation of objects with cultural heritage significance. It begins with a review of the modern museum, which discusses new techniques employed in the conservation of museum artifacts such as X-ray tomography and other techniques used to study Egyptian mummies, bones and mineralization of bones in the archaeological context, and the degradation of parchment. All of these topics and techniques are essential for the preservation of our history. This includes finding ways to preserve parchment documents and letters, which much of our written heritage is documented on, so that it can be used and understood for generations to come. This book is a must have for any museum as well as any university that teaches or employs the techniques discussed. Written in a style that is readily understandable by conservation scientists, archaeologists, museum curators, and students Provides an introduction to the advanced fields of synchrotron radiation science, neutron science, and computed tomography Outstanding review of the use of modern technology to study museum and archaeological artifacts Offers solutions through advanced scientific techniques to a wide range of problems facing museum staff


Book Synopsis Physical Techniques in the Study of Art, Archaeology and Cultural Heritage by :

Download or read book Physical Techniques in the Study of Art, Archaeology and Cultural Heritage written by and published by Elsevier. This book was released on 2006-05-02 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind, this series is devoted to the use of physical principles in the study and scientific conservation of objects with cultural heritage significance. It begins with a review of the modern museum, which discusses new techniques employed in the conservation of museum artifacts such as X-ray tomography and other techniques used to study Egyptian mummies, bones and mineralization of bones in the archaeological context, and the degradation of parchment. All of these topics and techniques are essential for the preservation of our history. This includes finding ways to preserve parchment documents and letters, which much of our written heritage is documented on, so that it can be used and understood for generations to come. This book is a must have for any museum as well as any university that teaches or employs the techniques discussed. Written in a style that is readily understandable by conservation scientists, archaeologists, museum curators, and students Provides an introduction to the advanced fields of synchrotron radiation science, neutron science, and computed tomography Outstanding review of the use of modern technology to study museum and archaeological artifacts Offers solutions through advanced scientific techniques to a wide range of problems facing museum staff


Breaking the Surface

Breaking the Surface

Author: Douglass Whitfield Bailey

Publisher: Oxford University Press

Published: 2018

Total Pages: 355

ISBN-13: 0190611871

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"Breaking the Surface will be a disruption to traditional archaeological approaches to the prehistoric past. Having performed fieldwork on the early Neolithic pit-houses of southeastern Europe for over 20 years, the author aims to confront a major development in human history--digging, or the creation of holes. The book begins with a detailed examination of the extant remains of Neolithic pit-houses, the roofed dugout structures that are the earliest evidence for settled habitation in Europe. Rather than seek confirmation for what has already been theorized about their use (e.g., housing, storage, refuse), the author turns to the more specific actions of the people who dug these holes in the surface, and, more critically, to the consequences that those prehistoric actions had on those people's understanding of their place(s) in their ground worlds: how digging into the surface altered their perspectives of themselves and others, and of their world and of other worlds beyond the material and visible. The book turns to how scholars in other disciplines, such as philosophy and linguistic anthropology, have been asking similar questions about holes and the consequences of breaking and cutting. The resulting book offers comprehensive discussions of the philosophy of holes and perforations (particularly the paradox of a hole - does it exist, is it beyond materiality?), the linguistic anthropology of cut- and break-words (what diversity exists in the ways that extant communities talk and think about perforations and perforating), and the perceptual psychology of concavities (the case that holes attract our visual attentions)"--


Book Synopsis Breaking the Surface by : Douglass Whitfield Bailey

Download or read book Breaking the Surface written by Douglass Whitfield Bailey and published by Oxford University Press. This book was released on 2018 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Breaking the Surface will be a disruption to traditional archaeological approaches to the prehistoric past. Having performed fieldwork on the early Neolithic pit-houses of southeastern Europe for over 20 years, the author aims to confront a major development in human history--digging, or the creation of holes. The book begins with a detailed examination of the extant remains of Neolithic pit-houses, the roofed dugout structures that are the earliest evidence for settled habitation in Europe. Rather than seek confirmation for what has already been theorized about their use (e.g., housing, storage, refuse), the author turns to the more specific actions of the people who dug these holes in the surface, and, more critically, to the consequences that those prehistoric actions had on those people's understanding of their place(s) in their ground worlds: how digging into the surface altered their perspectives of themselves and others, and of their world and of other worlds beyond the material and visible. The book turns to how scholars in other disciplines, such as philosophy and linguistic anthropology, have been asking similar questions about holes and the consequences of breaking and cutting. The resulting book offers comprehensive discussions of the philosophy of holes and perforations (particularly the paradox of a hole - does it exist, is it beyond materiality?), the linguistic anthropology of cut- and break-words (what diversity exists in the ways that extant communities talk and think about perforations and perforating), and the perceptual psychology of concavities (the case that holes attract our visual attentions)"--


Art and Archaeology of Ancient Rome Vol 1

Art and Archaeology of Ancient Rome Vol 1

Author: David Soren

Publisher:

Published: 2009-01-09

Total Pages: 252

ISBN-13: 9781936168514

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Classical archaeology was long equated to ancient art history. Today these fields find themselves at a major crossroads. The influence on them--from the discipline of anthropology--has increased substantially in the past 15 years, adding to the ways in which scholars can study the Roman past. The classical archaeologist of the 21st century is likely to be versed in Greek and Latin, computer technology, ancient history, great monuments, various hard sciences such as physics or even astronomy, GPS, GIS, surveying, mapping, digitizing, artistic rendering, numismatics, geo-science, astronomy, environmental studies, material culture analysis and/or a host of other disciplines and sub-disciplines.Universities are seeking specialists whose talents embrace not one but several different fields of research. It is not necessary for each scholar to know everything about each discipline being used within the fields of art history, classical archaeology and anthropology, but these days a basic knowledge of all relevant disciplines is becoming indispensable. This book will layout the basic information and steps necessary to take the beginning archaeologist's search for knowledge of the past and lead them to adventures of the future.


Book Synopsis Art and Archaeology of Ancient Rome Vol 1 by : David Soren

Download or read book Art and Archaeology of Ancient Rome Vol 1 written by David Soren and published by . This book was released on 2009-01-09 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical archaeology was long equated to ancient art history. Today these fields find themselves at a major crossroads. The influence on them--from the discipline of anthropology--has increased substantially in the past 15 years, adding to the ways in which scholars can study the Roman past. The classical archaeologist of the 21st century is likely to be versed in Greek and Latin, computer technology, ancient history, great monuments, various hard sciences such as physics or even astronomy, GPS, GIS, surveying, mapping, digitizing, artistic rendering, numismatics, geo-science, astronomy, environmental studies, material culture analysis and/or a host of other disciplines and sub-disciplines.Universities are seeking specialists whose talents embrace not one but several different fields of research. It is not necessary for each scholar to know everything about each discipline being used within the fields of art history, classical archaeology and anthropology, but these days a basic knowledge of all relevant disciplines is becoming indispensable. This book will layout the basic information and steps necessary to take the beginning archaeologist's search for knowledge of the past and lead them to adventures of the future.


The Way of the Shovel

The Way of the Shovel

Author: Dieter Roelstraete

Publisher: University of Chicago Press

Published: 2013

Total Pages: 0

ISBN-13: 9780226094120

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Catalog for the exhibition held at the Museum of Contemporary Art Chicago from November 9, 2013-March 9, 2014.


Book Synopsis The Way of the Shovel by : Dieter Roelstraete

Download or read book The Way of the Shovel written by Dieter Roelstraete and published by University of Chicago Press. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog for the exhibition held at the Museum of Contemporary Art Chicago from November 9, 2013-March 9, 2014.


Archaeology with Art

Archaeology with Art

Author: Helen Chittock

Publisher: Archaeopress Publishing Ltd

Published: 2016-12-12

Total Pages: 196

ISBN-13: 1784914932

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Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.


Book Synopsis Archaeology with Art by : Helen Chittock

Download or read book Archaeology with Art written by Helen Chittock and published by Archaeopress Publishing Ltd. This book was released on 2016-12-12 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.


Diffracting Digital Images

Diffracting Digital Images

Author: Ian Dawson

Publisher: Routledge

Published: 2021-12-28

Total Pages: 226

ISBN-13: 9780367486556

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The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.


Book Synopsis Diffracting Digital Images by : Ian Dawson

Download or read book Diffracting Digital Images written by Ian Dawson and published by Routledge. This book was released on 2021-12-28 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.


The Oxford Handbook of the Archaeology and Anthropology of Rock Art

The Oxford Handbook of the Archaeology and Anthropology of Rock Art

Author: Bruno David

Publisher: Oxford Handbooks

Published: 2018

Total Pages: 1185

ISBN-13: 0190607351

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.


Book Synopsis The Oxford Handbook of the Archaeology and Anthropology of Rock Art by : Bruno David

Download or read book The Oxford Handbook of the Archaeology and Anthropology of Rock Art written by Bruno David and published by Oxford Handbooks. This book was released on 2018 with total page 1185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.


The Archaeology of Celtic Art

The Archaeology of Celtic Art

Author: D.W. Harding

Publisher: Routledge

Published: 2007-06-11

Total Pages: 646

ISBN-13: 1134264631

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More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.


Book Synopsis The Archaeology of Celtic Art by : D.W. Harding

Download or read book The Archaeology of Celtic Art written by D.W. Harding and published by Routledge. This book was released on 2007-06-11 with total page 646 pages. Available in PDF, EPUB and Kindle. Book excerpt: More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.