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Drama, opera, ballet, circuses, concerts, and puppet-shows: down the years, all these species of live entertainment faced innumerable difficulties in Ireland. The challenges that are the focus in this unusual study are those that touched on matters of law. Assorted venues encountered episodes of censorship and of riot. Safety of buildings, performers' contracts, dramatic authors' performing rights, liquor licensing all merit attention too, as, indeed, necessarily must the issue of the lawfulness of any 'theatrical' activity itself, given the ill-defined powers of the Irish Master of the Revels (1638-1830) and the controls exerciseable under the Dublin Stage Regulation Act (1786-1997). (Series: Irish Legal History Society - Vol. 24) [Subject: Irish Studies, Legal History, Drama]
Book Synopsis The Irish Stage by : W. N. Osborough
Download or read book The Irish Stage written by W. N. Osborough and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drama, opera, ballet, circuses, concerts, and puppet-shows: down the years, all these species of live entertainment faced innumerable difficulties in Ireland. The challenges that are the focus in this unusual study are those that touched on matters of law. Assorted venues encountered episodes of censorship and of riot. Safety of buildings, performers' contracts, dramatic authors' performing rights, liquor licensing all merit attention too, as, indeed, necessarily must the issue of the lawfulness of any 'theatrical' activity itself, given the ill-defined powers of the Irish Master of the Revels (1638-1830) and the controls exerciseable under the Dublin Stage Regulation Act (1786-1997). (Series: Irish Legal History Society - Vol. 24) [Subject: Irish Studies, Legal History, Drama]
This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
Book Synopsis A Century of Irish Drama by : Stephen Watt
Download or read book A Century of Irish Drama written by Stephen Watt and published by Indiana University Press. This book was released on 2000 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Book Synopsis The Oxford Handbook of Modern Irish Theatre by : Nicholas Grene
Download or read book The Oxford Handbook of Modern Irish Theatre written by Nicholas Grene and published by Oxford University Press. This book was released on 2016-07-28 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Book Synopsis The Early Irish Stage by : William S. Clark
Download or read book The Early Irish Stage written by William S. Clark and published by . This book was released on 1973 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Provides an historical overview of women's mythmaking and thus their contributions to, and an alternative genealogy of, modern Irish theatre.
Book Synopsis Women and Embodied Mythmaking in Irish Theatre by : Shonagh Hill
Download or read book Women and Embodied Mythmaking in Irish Theatre written by Shonagh Hill and published by Cambridge University Press. This book was released on 2019-08-29 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an historical overview of women's mythmaking and thus their contributions to, and an alternative genealogy of, modern Irish theatre.
Book Synopsis The Romance of the Irish Stage by : Joseph Fitzgerald Molloy
Download or read book The Romance of the Irish Stage written by Joseph Fitzgerald Molloy and published by . This book was released on 1897 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt:
WINNER OF THE 2008 THEATRE BOOK PRIZE! Globalization is transforming theatre everywhere. As writers seek to exploit new opportunities to produce their work internationally, audiences are seeing the world – and the stage – differently. And, as national borders became more fluid, the barriers between economics and culture are also becoming weaker. In this groundbreaking study, Patrick Lonergan explores these developments, placing them in the context of the transformation of Ireland – the ‘most globalized country in the world’ – since the early 1990s. Drawing on archival material that has never before been published, this study sheds new light on the culture of Celtic Tiger Ireland, focusing on such writers as Brian Friel, Sean O’Casey, Marie Jones, Martin McDonagh, Marina Carr and Conor McPherson. In doing so, it shows how globalization poses difficult questions for authors and audiences – and reveals how we can begin to come to terms with these new developments.
Book Synopsis Theatre and Globalization by : Patrick Lonergan
Download or read book Theatre and Globalization written by Patrick Lonergan and published by Palgrave MacMillan. This book was released on 2009-01-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER OF THE 2008 THEATRE BOOK PRIZE! Globalization is transforming theatre everywhere. As writers seek to exploit new opportunities to produce their work internationally, audiences are seeing the world – and the stage – differently. And, as national borders became more fluid, the barriers between economics and culture are also becoming weaker. In this groundbreaking study, Patrick Lonergan explores these developments, placing them in the context of the transformation of Ireland – the ‘most globalized country in the world’ – since the early 1990s. Drawing on archival material that has never before been published, this study sheds new light on the culture of Celtic Tiger Ireland, focusing on such writers as Brian Friel, Sean O’Casey, Marie Jones, Martin McDonagh, Marina Carr and Conor McPherson. In doing so, it shows how globalization poses difficult questions for authors and audiences – and reveals how we can begin to come to terms with these new developments.
Book Synopsis The Life of King Henry the Fifth by : William Shakespeare
Download or read book The Life of King Henry the Fifth written by William Shakespeare and published by . This book was released on 1900 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Early Irish Stage by : William Smith Clark
Download or read book The Early Irish Stage written by William Smith Clark and published by . This book was released on 1955 with total page 633 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Book Synopsis Perspectives on Contemporary Irish Theatre by : Anne Etienne
Download or read book Perspectives on Contemporary Irish Theatre written by Anne Etienne and published by Springer. This book was released on 2017-10-20 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
