The Music of Dmitri Shostakovich, the Symphonies

The Music of Dmitri Shostakovich, the Symphonies

Author: Roy Blokker

Publisher:

Published: 1979

Total Pages: 210

ISBN-13:

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Bespreking van de verschillende symphonieën van de Russische componist (1906-1975).


Book Synopsis The Music of Dmitri Shostakovich, the Symphonies by : Roy Blokker

Download or read book The Music of Dmitri Shostakovich, the Symphonies written by Roy Blokker and published by . This book was released on 1979 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bespreking van de verschillende symphonieën van de Russische componist (1906-1975).


Shostakovich Symphonies

Shostakovich Symphonies

Author: Hugh Ottaway

Publisher:

Published: 1978

Total Pages: 76

ISBN-13:

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Book Synopsis Shostakovich Symphonies by : Hugh Ottaway

Download or read book Shostakovich Symphonies written by Hugh Ottaway and published by . This book was released on 1978 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Symphony for the City of the Dead

Symphony for the City of the Dead

Author: M.T. Anderson

Publisher: Candlewick Press

Published: 2017-02-07

Total Pages: 465

ISBN-13: 0763691003

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Originally published: Somerville, Massachusetts: Candlewick Press, 2015.


Book Synopsis Symphony for the City of the Dead by : M.T. Anderson

Download or read book Symphony for the City of the Dead written by M.T. Anderson and published by Candlewick Press. This book was released on 2017-02-07 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published: Somerville, Massachusetts: Candlewick Press, 2015.


Dmitri Shostakovich Suites From Operas and Ballets

Dmitri Shostakovich Suites From Operas and Ballets

Author: Dmitri Shostakovich

Publisher: Dsch

Published: 2002-12

Total Pages: 189

ISBN-13: 9780634077401

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(DSCH). Includes: Suite from the Opera Lady Macbeth of the Mtsensk District, Op. 29a; Five Interludes from the Opera Lady Macbeth of the Mtsensk District (Katerina Izmailova) Op. 29/114 (a); Interlude between Scenes 6 and 7 from the Opera Katerina Izmailova, Op. 114 (b) Full Score. These volumes are the first releases of an ambitious series started in 1999 by DSCH, the exclusive publisher of the works of Dmitri Shostakovich. Each volume contains new engravings; articles regarding the history of the compositions; facsimile pages of Shostakovich's manuscripts, outlines, and rough drafts; as well as interpretations of the manuscripts. In total, 150 volumes are planned for publication.


Book Synopsis Dmitri Shostakovich Suites From Operas and Ballets by : Dmitri Shostakovich

Download or read book Dmitri Shostakovich Suites From Operas and Ballets written by Dmitri Shostakovich and published by Dsch. This book was released on 2002-12 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: (DSCH). Includes: Suite from the Opera Lady Macbeth of the Mtsensk District, Op. 29a; Five Interludes from the Opera Lady Macbeth of the Mtsensk District (Katerina Izmailova) Op. 29/114 (a); Interlude between Scenes 6 and 7 from the Opera Katerina Izmailova, Op. 114 (b) Full Score. These volumes are the first releases of an ambitious series started in 1999 by DSCH, the exclusive publisher of the works of Dmitri Shostakovich. Each volume contains new engravings; articles regarding the history of the compositions; facsimile pages of Shostakovich's manuscripts, outlines, and rough drafts; as well as interpretations of the manuscripts. In total, 150 volumes are planned for publication.


Dimensions of Energy in Shostakovich's Symphonies

Dimensions of Energy in Shostakovich's Symphonies

Author: Michael Rofe

Publisher: Routledge

Published: 2016-04-22

Total Pages: 320

ISBN-13: 1317150511

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Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. The book is in two parts. In Part I, examples are drawn from across the symphonies in order to demonstrate energy streams within various musical dimensions. Three broad approaches are adopted: first, the theories of Boleslav Yavorsky are used to consider melodic-harmonic motion; second, Boris Asafiev's work, with its echoes of Ernst Kurth, is used to describe form as a dynamic process; and third, proportional analysis reveals numerous symmetries and golden sections within local and large-scale temporal structures. In Part II, the multi-dimensionality of musical energy is considered through case studies of individual movements from the symphonies. This in turn gives rise to broader contextualised perspectives on Shostakovich's work. The book ends with a detailed examination of why a piece of music might contain golden sections.


Book Synopsis Dimensions of Energy in Shostakovich's Symphonies by : Michael Rofe

Download or read book Dimensions of Energy in Shostakovich's Symphonies written by Michael Rofe and published by Routledge. This book was released on 2016-04-22 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. The book is in two parts. In Part I, examples are drawn from across the symphonies in order to demonstrate energy streams within various musical dimensions. Three broad approaches are adopted: first, the theories of Boleslav Yavorsky are used to consider melodic-harmonic motion; second, Boris Asafiev's work, with its echoes of Ernst Kurth, is used to describe form as a dynamic process; and third, proportional analysis reveals numerous symmetries and golden sections within local and large-scale temporal structures. In Part II, the multi-dimensionality of musical energy is considered through case studies of individual movements from the symphonies. This in turn gives rise to broader contextualised perspectives on Shostakovich's work. The book ends with a detailed examination of why a piece of music might contain golden sections.


Shostakovich and His World

Shostakovich and His World

Author: Laurel E. Fay

Publisher: Princeton University Press

Published: 2004-08-15

Total Pages: 428

ISBN-13: 0691120692

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.


Book Synopsis Shostakovich and His World by : Laurel E. Fay

Download or read book Shostakovich and His World written by Laurel E. Fay and published by Princeton University Press. This book was released on 2004-08-15 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.


How Shostakovich Changed My Mind

How Shostakovich Changed My Mind

Author: Stephen Johnson

Publisher: New York Review of Books

Published: 2019-05-14

Total Pages: 160

ISBN-13: 191074946X

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A powerful look at the extraordinary healing effect of music on sufferers of mental illness, including author Stephen Johnson's struggle with bipolar disorder. BBC music broadcaster Stephen Johnson explores the power of Shostakovich’s music during Stalin’s reign of terror, and writes of the extraordinary healing effect of music on sufferers of mental illness. Johnson looks at neurological, psychotherapeutic and philosophical findings, and reflects on his own experience, where he believes Shostakovich’s music helped him survive the trials and assaults of bipolar disorder. There is no escapism, no false consolation in Shostakovich’s greatest music: this is some of the darkest, saddest, at times bitterest music ever composed. So why do so many feel grateful to Shostakovich for having created it—not just Russians, but westerners like Stephen Johnson, brought up in a very different, far safer kind of society? The book includes interviews with the members of the orchestra who performed Shostakovich’s Leningrad Symphony during the siege of that city.


Book Synopsis How Shostakovich Changed My Mind by : Stephen Johnson

Download or read book How Shostakovich Changed My Mind written by Stephen Johnson and published by New York Review of Books. This book was released on 2019-05-14 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: A powerful look at the extraordinary healing effect of music on sufferers of mental illness, including author Stephen Johnson's struggle with bipolar disorder. BBC music broadcaster Stephen Johnson explores the power of Shostakovich’s music during Stalin’s reign of terror, and writes of the extraordinary healing effect of music on sufferers of mental illness. Johnson looks at neurological, psychotherapeutic and philosophical findings, and reflects on his own experience, where he believes Shostakovich’s music helped him survive the trials and assaults of bipolar disorder. There is no escapism, no false consolation in Shostakovich’s greatest music: this is some of the darkest, saddest, at times bitterest music ever composed. So why do so many feel grateful to Shostakovich for having created it—not just Russians, but westerners like Stephen Johnson, brought up in a very different, far safer kind of society? The book includes interviews with the members of the orchestra who performed Shostakovich’s Leningrad Symphony during the siege of that city.


Dmitry Shostakovich

Dmitry Shostakovich

Author: David Abramovich Rabinovich

Publisher: London, Lawrence

Published: 1959

Total Pages: 206

ISBN-13:

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Book Synopsis Dmitry Shostakovich by : David Abramovich Rabinovich

Download or read book Dmitry Shostakovich written by David Abramovich Rabinovich and published by London, Lawrence. This book was released on 1959 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt:


A Soviet Credo: Shostakovich's Fourth Symphony

A Soviet Credo: Shostakovich's Fourth Symphony

Author: Pauline Fairclough

Publisher: Routledge

Published: 2017-07-05

Total Pages: 382

ISBN-13: 1351577956

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Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.


Book Synopsis A Soviet Credo: Shostakovich's Fourth Symphony by : Pauline Fairclough

Download or read book A Soviet Credo: Shostakovich's Fourth Symphony written by Pauline Fairclough and published by Routledge. This book was released on 2017-07-05 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.


Symphonies nos. 5, 6, and 7

Symphonies nos. 5, 6, and 7

Author: Ludwig van Beethoven

Publisher: Courier Corporation

Published: 1989-01-01

Total Pages: 284

ISBN-13: 9780486260341

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Offering unparalleled insight into Beethoven's creativity, here are superb, authoritative editions of three great orchestral masterworks filled with drama and great beauty. Includes Symphony No. 5 in C Minor, Op. 67; Symphony No. 6 in F Major ("Pastoral"), Op. 68; Symphony No. 7 in A Major, Op. 92. Lists of instruments.


Book Synopsis Symphonies nos. 5, 6, and 7 by : Ludwig van Beethoven

Download or read book Symphonies nos. 5, 6, and 7 written by Ludwig van Beethoven and published by Courier Corporation. This book was released on 1989-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering unparalleled insight into Beethoven's creativity, here are superb, authoritative editions of three great orchestral masterworks filled with drama and great beauty. Includes Symphony No. 5 in C Minor, Op. 67; Symphony No. 6 in F Major ("Pastoral"), Op. 68; Symphony No. 7 in A Major, Op. 92. Lists of instruments.