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Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.
Book Synopsis Rumour and Renown by : Philip R. Hardie
Download or read book Rumour and Renown written by Philip R. Hardie and published by Cambridge University Press. This book was released on 2012-02-02 with total page 707 pages. Available in PDF, EPUB and Kindle. Book excerpt: Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.
The Latin word fama means 'rumour', 'report', 'tradition', as well as modern English 'fame' or 'renown'. This magisterial and groundbreaking study in the literary and cultural history of rumour and renown, by one of the most influential living critics of Latin poetry, examines the intricate dynamics of their representations from Homer to Alexander Pope, with a focus on the power struggles played out within attempts to control the word, both spoken and written. Central are the personifications of Fama in Virgil and Ovid and the rich progeny spawned by them, but the book focuses on a wide range of genres other than epic, and on a variety of modes of narrating, dramatising, critiquing, and illustrating fama. Authors given detailed readings include Livy, Tacitus, Petrarch, Chaucer, Spenser, Shakespeare, Ben Jonson and Milton.
Book Synopsis Rumour and Renown by : Philip Hardie
Download or read book Rumour and Renown written by Philip Hardie and published by Cambridge University Press. This book was released on 2014-12-18 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Latin word fama means 'rumour', 'report', 'tradition', as well as modern English 'fame' or 'renown'. This magisterial and groundbreaking study in the literary and cultural history of rumour and renown, by one of the most influential living critics of Latin poetry, examines the intricate dynamics of their representations from Homer to Alexander Pope, with a focus on the power struggles played out within attempts to control the word, both spoken and written. Central are the personifications of Fama in Virgil and Ovid and the rich progeny spawned by them, but the book focuses on a wide range of genres other than epic, and on a variety of modes of narrating, dramatising, critiquing, and illustrating fama. Authors given detailed readings include Livy, Tacitus, Petrarch, Chaucer, Spenser, Shakespeare, Ben Jonson and Milton.
The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by "word of mouth," covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This "hearsay" method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumor and glory, were variously combined to create the modern icon of fame with which we are more familiar today.
Book Synopsis Word of Mouth by : Gianni Guastella
Download or read book Word of Mouth written by Gianni Guastella and published by Oxford University Press. This book was released on 2017 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by "word of mouth," covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This "hearsay" method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumor and glory, were variously combined to create the modern icon of fame with which we are more familiar today.
This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.
Book Synopsis Alexander Pope in The Reign of Queen Anne by : A. D. Cousins
Download or read book Alexander Pope in The Reign of Queen Anne written by A. D. Cousins and published by Routledge. This book was released on 2020-11-29 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.
"Rocco Rubini studies the motives and literary forms in the making of a "tradition," not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but rather more generously and etymologically interpreted: as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at the most prominent humanists in between (including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce), Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an entire career of writings to uncover deeper, transhistorical continuities that span 600 years. Whether reading forward to the 1930s, or backward to the 14th century, Rubini elucidates the interplay of creation and reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions linking these thinkers across time"--
Book Synopsis Posterity by : Rocco Rubini
Download or read book Posterity written by Rocco Rubini and published by University of Chicago Press. This book was released on 2022-01-18 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Rocco Rubini studies the motives and literary forms in the making of a "tradition," not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but rather more generously and etymologically interpreted: as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at the most prominent humanists in between (including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce), Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an entire career of writings to uncover deeper, transhistorical continuities that span 600 years. Whether reading forward to the 1930s, or backward to the 14th century, Rubini elucidates the interplay of creation and reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions linking these thinkers across time"--
This volume approaches the broad topic of wonder in the works of Tacitus, encompassing paradox, the marvellous and the admirable. Recent scholarship on these themes in Roman literature has tended to focus on poetic genres, with comparatively little attention paid to historiography: Tacitus, whose own judgments on what is worthy of note have often differed in interesting ways from the preoccupations of his readers, is a fascinating focal point for this complementary perspective. Scholarship on Tacitus has to date remained largely marked by a divide between the search for veracity – as validated by modern historiographical standards – and literary approaches, and as a result wonders have either been ignored as unfit for an account of history or have been deprived of their force by being interpreted as valid only within the text. While the modern ideal of historiographical objectivity tends to result in striving for consistent heuristic and methodological frameworks, works as varied as Tacitus' Histories, Annals and opera minora can hardly be prefaced with a statement of methodology broad enough to escape misrepresenting their diversity. In our age of specialization a streamlined methodological framework is a virtue, but it should not be assumed that Tacitus had similar priorities, and indeed the Histories and Annals deserve to be approached with openness towards the variety of perspectives that a tradition as rich as Latin historiographical prose can include within its scope. This collection proposes ways to reconcile the divide between history and historiography by exploring contestable moments in the text that challenge readers to judge and interpret for themselves, with individual chapters drawing on a range of interpretive approaches that mirror the wealth of authorial and reader-specific responses in play.
Book Synopsis Tacitus’ Wonders by : James McNamara
Download or read book Tacitus’ Wonders written by James McNamara and published by Bloomsbury Publishing. This book was released on 2022-02-10 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume approaches the broad topic of wonder in the works of Tacitus, encompassing paradox, the marvellous and the admirable. Recent scholarship on these themes in Roman literature has tended to focus on poetic genres, with comparatively little attention paid to historiography: Tacitus, whose own judgments on what is worthy of note have often differed in interesting ways from the preoccupations of his readers, is a fascinating focal point for this complementary perspective. Scholarship on Tacitus has to date remained largely marked by a divide between the search for veracity – as validated by modern historiographical standards – and literary approaches, and as a result wonders have either been ignored as unfit for an account of history or have been deprived of their force by being interpreted as valid only within the text. While the modern ideal of historiographical objectivity tends to result in striving for consistent heuristic and methodological frameworks, works as varied as Tacitus' Histories, Annals and opera minora can hardly be prefaced with a statement of methodology broad enough to escape misrepresenting their diversity. In our age of specialization a streamlined methodological framework is a virtue, but it should not be assumed that Tacitus had similar priorities, and indeed the Histories and Annals deserve to be approached with openness towards the variety of perspectives that a tradition as rich as Latin historiographical prose can include within its scope. This collection proposes ways to reconcile the divide between history and historiography by exploring contestable moments in the text that challenge readers to judge and interpret for themselves, with individual chapters drawing on a range of interpretive approaches that mirror the wealth of authorial and reader-specific responses in play.
The questions of fame and reputation are central to Chaucer's writings; the essays here discuss their various treatments and manifestations.
Book Synopsis Chaucer and Fame by : Isabel Davis
Download or read book Chaucer and Fame written by Isabel Davis and published by Boydell & Brewer Ltd. This book was released on 2015 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: The questions of fame and reputation are central to Chaucer's writings; the essays here discuss their various treatments and manifestations.
Fame and glory, rumour and reputation have fascinated through the ages. The way in which they are communicated and spread is a topic which impacts our lives on a daily basis and is an important theme in current literature. The ancient world is an ideal arena for the exploration of these issues, being a ‘closed’ period of human history that offers a secure resource for exploring the phenomenon. Philip Hardie’s Rumour and Renown: Representations of Fama in Western Literature (Cambridge University Press, 2012) is an authoritative work on this subject, and the stimulus for this volume. Continuing the on-going discussion, each one of the contributors examines further aspects of the issue in the work of Lucretius, Cicero, Virgil, Ovid, Manilius, Juvenal and the Christian poet, Prudentius. The volume offers insights into the poets’ personal quest for acclaim and – more importantly – their awareness of the qualities of the phenomenon, an awareness which, on occasion, led them to personify fame and glory. Virgil’s personification of Fama in Aeneid 4 was fame’s most important personification, influencing artists for centuries to come, and it is this subject with which the volume concludes.
Book Synopsis Libera Fama by : Stratis Kyriakidis
Download or read book Libera Fama written by Stratis Kyriakidis and published by Cambridge Scholars Publishing. This book was released on 2017-01-06 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fame and glory, rumour and reputation have fascinated through the ages. The way in which they are communicated and spread is a topic which impacts our lives on a daily basis and is an important theme in current literature. The ancient world is an ideal arena for the exploration of these issues, being a ‘closed’ period of human history that offers a secure resource for exploring the phenomenon. Philip Hardie’s Rumour and Renown: Representations of Fama in Western Literature (Cambridge University Press, 2012) is an authoritative work on this subject, and the stimulus for this volume. Continuing the on-going discussion, each one of the contributors examines further aspects of the issue in the work of Lucretius, Cicero, Virgil, Ovid, Manilius, Juvenal and the Christian poet, Prudentius. The volume offers insights into the poets’ personal quest for acclaim and – more importantly – their awareness of the qualities of the phenomenon, an awareness which, on occasion, led them to personify fame and glory. Virgil’s personification of Fama in Aeneid 4 was fame’s most important personification, influencing artists for centuries to come, and it is this subject with which the volume concludes.
This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.
Book Synopsis Celebrity, Fame, and Infamy in the Hellenistic World by : Riemer A. Faber
Download or read book Celebrity, Fame, and Infamy in the Hellenistic World written by Riemer A. Faber and published by University of Toronto Press. This book was released on 2020 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.
From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare’s imagination Ben Jonson famously accused Shakespeare of having “small Latin and less Greek.” But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world’s leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare’s supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics.
Book Synopsis How the Classics Made Shakespeare by : Jonathan Bate
Download or read book How the Classics Made Shakespeare written by Jonathan Bate and published by Princeton University Press. This book was released on 2019-04-16 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare’s imagination Ben Jonson famously accused Shakespeare of having “small Latin and less Greek.” But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world’s leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare’s supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics.
